I'm singing background on one of Blondie's songs on her new album
A whole album to one writer - now that would be really interesting.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
Michael Phelps and Willie Nelson are teaming up to do an album. ... They're covering The Doobie Brothers.
Great art comes from great artists. There’s a bunch of people that are hurt that still couldn’t have made the album that was super-polarizing and redefined the sound of radio.
About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
Actually, I was having dinner with Michael [Stipe, of R.E.M.] when our second album went platinum, which up until that point was the highest success we'd ever had. And he turned to me during dinner and said, 'Welcome to the deep waters, kid.' I'll never forget that.
The idea of going around to somebody else's flat or house and sitting around in a comfy room and having a really good hi-fi system and listening to a whole album all the way through, then chatting for a few minutes, then maybe putting another album on . . . does that happen today?
I have been metal all my life, only I did not know about it. The people in this album (Charlemagne) and I, share the same values.
I know a lot of people who are 12 and doing things they shouldnt be doing. Whether youre an actress or a singer, its always the sexier ones that are selling more tickets or selling more albums.
The Blue album, there’s hardly a dishonest note in the vocals. At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn’t pretend in my life to be strong. Or to be happy. But the advantage of it in the music was that there were no defenses there, either.
I was going through some emotional turmoil. You can tell by the tunes on the album that I was going through a break-up of my marriage. It was the only way I could express myself.
But when I record my next studio album, of course I'll do the lead vocals
It's the Roman numeral for 10. 5/5/89 is my birthday: 5 plus 5 is 10, and this is my tenth year since I got into music. 'X' is the 24th letter in the alphabet, and I will turn 24 when this album comes out. 'X' is also a metaphor, as in 'ex-girlfriend': it implies you're progressing and moving on in life, not holding on to the past and your old ways.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
No matter what album I’ve ever made or ever will work on, it’s me trying to achieve this feeling I had listening to music when I was 8 years old. Just being mesmerized by the production and the mystique and the stories.
But maybe every life looked wonderful if all you saw was the photo albums.
I'm not into albums that are meant to sound perfect.
I want to leave an album behind that is classic, that people in 50 years will refer to and pass on to their children. An album that you never bored of.
If I cut an album now and sell it for ten bucks, I can put seven dollars and fifty cents in my pocket.
United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?
As an artist, you dream about accumulating enough successful music to someday do just one greatest-hits album, but to reach the point where you're releasing your second collection of hits is beyond belief.
My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.
Doing my own album provided me the opportunity to say whatever I wanted.
Each thing leapfrogs. I do a Genesis project - like now, we're just finishing off an album - and then by the time the album is doing its thing, I could do nothing or I could do a film.
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