I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.
I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.
A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.
But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
You continue to evolve with each album that goes by and, as an artist, you continue to expand with every recording project.
Look. I was a superhero in the '90s. I said so at the time. McCartney, Weller, Townshend, Richards, my first album's better than all their first albums. Even they'd admit that.
Emotionally, it was the hardest 33 days of my life, but it was worth it because the result is that this album is 100 percent me. It’s heartfelt, real, bold, honest, vulnerable, hopeful, strong, poetic, bluesy, gritty, pretty, and simple.
For the second album I look forward to doing a lot of serious collaboration and taking the experiences I've had over this last year, good and bad, and working it into the album.
I think it's important to update my fans on what I'm doing and where I'm going next and when my next single is going to drop and my album.
But I have to say, it was fun doing this Love Letter album because, hey, man, love has never failed. It has won every battle. And today and forever more it will go on undefeated. I'm also a very loving person.
I never thought of having platinum albums and winning awards. I just wanted to write songs and sing when I started out in the music business.
If you get a chance to be in a film, that's great. One of my goals is to make a record as good as Don Henley's album, Building the Perfect Beast.
I played lead guitar in a band called The Federal Duck, which is the kind of name that was popular in the '60s as a result of controlled substances being in widespread use. Back then, there were no restrictions, in terms of talent, on who could make an album, so we made one, and it sounds like a group of people who have been given powerful but unfamiliar instruments as a therapy for a degenerative nerve disease.
Having a successful first album is one thing, but a successful third is another.
Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.
I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.
Just six days after its release on iTunes, a record-breaking 33 million people have already listened to the album.
Everybody else goes out and plays a show as if it's their album, which is boring. I'd rather sit at home and listen to the album, because I hate to be in a smoke-filled, loud room - that's not enjoyable for me at all...I always look up to guys who can sit and do dinner music...they're singing in tune and playing somebody else's music, and I don't think I could do that...it's the shittiest job in the world.
It's not necessarily a church theme and it's not really about church. I like my album themes to be metaphors because it gives me the freedom to speak about something else that's going on in my life, so the Born Sinner thing is not about church, it's not even about religion. It's using that as canvas to get other messages across and that's what the album will be.
It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.
Artists in not only country but other genres usually make four or five albums, then they change producers to keep their sound moving forward.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: