The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy.
If you take your last album & try to copy it, then thats sure to hell the way to stagnation. And that makes me bored...and if I'm bored then the music is boring and so are the band!
Over all Avenged Sevenfold the album is 10 times better than the others.
Putting out my album on my own label has been a great experience for me. It's been very inspiring. It's like a new start for me and having all this creative freedom is so liberating and exciting.
I wanna record these girls individually. And then, I wanna cut a blues album on me. But all of it, original stuff, you know. When I listen to the blues today, it's like they all sounds similar. I wanna do something different, to try to add to the blues flavor.
Every weekend we've been trying to go out of town, to let people know about this album. I've been trying to host parties. It's hard, because it's a lot of work to do both.
When you have a very hot single there is no reason why it can't drive album sales. People fall off and come back on. I'm looking forward to coming back on with a vengeance.
I appreciate the additional additives and preservatives that help sell a project, but I'm sticking to what works best for me. I gotta sell the album live on stage and make people believe in the songs.
The first album was 99 percent hard core to show you I was the best rhymer in the world.
The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.
For my birthday this year, my girlfriends - who knew I'd just inherited my dad's turntable - gave me a carton of albums like "Blue Kentucky Girl," by Emmylou Harris, and "Off the Wall," by Michael Jackson. It's all stuff we grew up with. I mean, you can't have a music collection without Prince's "Purple Rain" - it just can't be done!
The first album is a classic record and I think the prototype of a sound that no one else does.
It's like this, by not giving my album a classic rating, you diminish your magazine's credibility. And that's real.
I love scrapbooks. They are one of the finest ways of dejunking life and abode... A good scrapbook is interesting and inspiring even to the stranger...Well put together scrapbooks and photo albums have warmed more hearts than any bound book... Without a good scrapbook, much that's memorable in life is forgotten or damaged or lost.
Well it has been very exciting and very changing as well. Celebrating the 40th year and having the album out and the Channel 4 documentary and I resigned from Blind Date.
This album is moments that I haven't done before, like just my voice and drums. What people call a rant - but put it next to just a drumbeat, and it cuts to the level of, like, Run-D.M.C. or KRS-One.
I'm still just a kid learning about minimalism, and he's a master of it. It's just really such a blessing, to be able to work with him. I want to say that after working with Rick, it humbled me to realize why I hadn't - even though I produced "Watch the Throne"; even though I produced "Dark Fantasy" - why I hadn't won Album of the Year yet.
I remember when both Gnarls Barkley and Justin [Timberlake] lost for Album of the Year [at the Grammys], and I looked at Justin, and I was like: 'Do you want me to go onstage for you? You know, do you want me to fight?
I've been connected to the most culturally important albums of the past four years, the most influential artists of the past ten years. You have like, Steve Jobs, Walt Disney, Henry Ford, Howard Hughes, Nicolas Ghesquière, Anna Wintour, David Stern.
"[My Beautiful] Dark [Twisted] Fantasy" and "Watch the Throne": neither was nominated for Album of the Year, and I made both of those in one year. I don't know if this is statistically right, but I'm assuming I have the most Grammys of anyone my age, but I haven't won one against a white person. But the thing is, I don't care about the Grammys; I just would like for the statistics to be more accurate.
People often forget this - a vinyl album could only contain a maximum of 20 minutes per side!
I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career. On the other hand, I can get all the Metallica songs I want for FREE! WOW!
People say releasing an album is like giving birth, but it’s more like having a gallbladder operation.
Most people didnt have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
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