All great art is by its very essence in conflict with the society with which it exists. It expresses the truth about the existence regardless of whether this truth serves or hinders the survival purpose of a given society. All great art is revolutionary because it touches upon the reality of man and questions the reality of the various transitory forms of human society.
If we begin to say, "Well, maybe we can cope better with the Russians if we also transform ourselves into a managed society, if we, as somebody put it the other day, train our soldiers to be like the Turks, who have fought so bravely in Korea, if we are willing to change our whole way of life for the sake of so-called "survival," then I think we do exactly that which threatens our survival.
Optimism is an alienated form of faith, pessimism an alienated form of despair. If one truly responds to man and his future, ie , concernedly and "responsibly." one can respond only by faith or by despair. Rational faith as well as rational despair are based on the most thorough, critical knowledge of all the factors that are relevant for the survival of man.
If our supreme value is the development of the Western tradition - of a man for whom the highest thing in life is man, for whom love for man, respect for man, and the dignity of man, are supreme values - then we cannot ask the question that says, "if it is better for our survival, might we drop these values?"
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