I think comedy is a good way to deal with anything. I hear about people in the hospital who are ill, and they use humor to help them through it. I think it's a great remedy for many things.
I saw something in the store the other day that I don't understand: that peanut butter and jelly in the same jar. Is there a point to that? I mean, I'm lazy-but I wanna meet the guy who needs that. Some guy going, "You know, I could go for a sandwich-but, uh, I'm not gonna open two jars. I can't be opening and closing all kinds of jars. Cleaning, who knows how many knives!?"
I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.
It’s good to be here. I’m just trying to go through life without looking stupid. It’s not working out too well.
I saw this sign posted once, it said, "Blasting Zone Ahead." Wow. Shouldn't that read: "Road Closed?" What do you mean there's a blasting zone? What am I supposed to do? "Hey-uh, you might wanna buckle up. Blasting zone coming up. Yeah. Just saw the sign. Put the helmets on back there! Yeah I think we're- (Pow!)- Oh! We're getting close! (Pow!)- Oh! This is gonna be a bad blasting zone! Remember that last one-we lost Billy?"
"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"
I drove myself to the Emergency Room. That's a nice relaxing drive. "Noooo, after you. Merge-everybody merge."
How come they don't think you can handle a new story out of the blue on the TV news? They gotta make a little lame segue. "Hey, that's a big lotto jackpot! Speaking of lotto, there was a lot o' crime in the city today."
Racquetball is the only sport where simultaneously you can be looking at the ball and it'll hit you in the back of the head at 90 miles per hour.
If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it. ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster."
The government will pay certain farmers to not grow corn. Wow. Where's my check? That'd be great. "Hey, what do you do for a living?" "Well, I don't grow corn. Get up at the crack of noon, make sure there's no corn growing. I'm gonna get up early tomorrow. And not plow. You know, we used to not grow tomatoes-but there's more money in not growing corn."
I think the most horrible name for a crime has to be manslaughter. ... "I slaughtered a man! Just like a pig! Put him on a spit and put an apple in his mouth!"
A lot of the kind of comedy that I do comes out of real human moments. For them to work, they have to be truthful kinds of things that people in the audience can go, "Yes, I've experienced that myself!"
I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.
I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
The only way I'd want to do something in television would be if it was about how I think as a comedian. I'd need to be able to be a creator. That's what I enjoy - I enjoy coming up with comedy, so it'd be very difficult for me to be sitting in a room and have somebody come in and say, "Here's your script! Learn these lines!" That's not fun. At least not for me.
I like the honesty of standup comedy. People don't fake laugh. If they're truly laughing at you, you know they like you.
A formula for comedy is comedy equals tragedy plus time. A difficult or uncomfortable situation takes place, and then you laugh about it later down the road.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
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