If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
The first draft is just you telling yourself the story.
Writing is the most fun you can have by yourself.
There's no such thing as writer's block. That was invented by people in California who couldn't write.
I read anything that’s going to be interesting. But you don’t know what it is until you’ve read it. Somewhere in a book on the history of false teeth there’ll be the making of a novel.
My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy.
They think written words are even more powerful,’ whispered the toad. ‘They think all writing is magic. Words worry them. See their swords? They glow blue in the presence of lawyers.
Let grammar, punctuation, and spelling into your life! Even the most energetic and wonderful mess has to be turned into sentences.
I have to write because if I don't get something down then after a while I feel it's going to bang the side of my head off.
You can't build a plot out of jokes. You need tragic relief. And you need to let people know that when a lot of frightened people are running around with edged weaponry, there are deaths. Stupid deaths, usually. I'm not writing 'The A-Team' - if there's a fight going on, people will get hurt. Not letting this happen would be a betrayal.
Fantasy doesn't have to be fantastic. American writers in particular find this much harder to grasp. You need to have your feet on the ground as much as your head in the clouds. The cute dragon that sits on your shoulder also craps all down your back, but this makes it more interesting because it gives it an added dimension.
Rings try to find their way back to their owner. Someone ought to write a book about it.
[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it!
The girls were expected to grow up to be somebody's wife. They were also expected to read and write, those being considered soft indoor jobs that were too fiddly for the boys.
I would like permission to fetch a note from my mother, sir' Ridcully sighed. 'Rincewind, you once informed me, to my everlasting puzzlement, that you never knew your mother because she ran away before you were born. Distinctly remember writing it down in my diary. Would you like another try?' 'Permission to go and find my mother?'
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.
Well, the traveling teachers do come through every few months," said the Baron. "Yes, sir, I know, sir, and they're useless, sir. They teach facts, not understanding. It's like teaching people about forests by showing them a saw. I want a proper school, sir, to teach reading and writing, and most of all thinking, sir, so people can find what they're good at, because someone doing what they really like is always an asset to any country, and too often people never find out until it's too late.
Generally I start writing when I have even the smallest idea of how a book is going to go, because the physical process of writing itself keeps the mind active and focused on the job at hand. Usually I write in about 5 drafts, but that simply means there are 5 definite times when I go in a linear fashion from the beginning to the end of the book.
I write books back to back, and I work very hard on them.
You have to have really wide reading habits and pay attention to the news and just everything that's going on in the world: you need to. If you get this right, then the writing is a piece of cake.
Money is an unavoidable consequence, but it isn't the reason I write; if it was, I wouldn't have written any of the YA books, because advances in that field are small compared to what I'd got now for an 'adult' DW.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
As far as I'm concerned, I'm a writer who's writing books, and therefore, I don't want to die. You'd miss the end of the book, wouldn't you? You can't die with an unfinished book.
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