I don't do anything for the money. I don't need to. I could have retired after White Zombie and been just fine. Money doesn't matter. But there is still a good living to be made, even in the niche. The funny thing is, as time goes on, the niche stuff gets bigger and bigger.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
Salt is a powerful symbol in Haiti, as elsewhere. Salt of the earth, for example is an American phrase. In Haiti, myth and legend has it that if you are turned into a zombie, if someone gives you a taste of salt, then you can come back to life. And in the life of the fishermen, there are so many little things about salt that I wanted to incorporate. The salt in the air. The crackling of salt in the fire. There's all this damage, this peeling of the fishing boats from the sea salt. But there is also healing from it, sea baths that are supposed to heal all kinds of aches and wounds.
Donald Trump is an especially depressing phenomena because he is so debased and debasing and millions and millions of people want him to be president. We're seeing how at least whole swathes of white America are becoming your worst nightmare of eternal Zombie High School. Something like a perfect mix of Groundhog Day and The Moronic Inferno. How can it be that a guy who looks like a bloated cadaver pulled from the Gowanus canal, with some rouge on his cheeks and a sticky Something About Mary wig, is actually applauded by his followers for making fun of how other people look?
We love things with biting - "Twilight" movies, zombie movies, eating.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
I really, really, really want to do a silly romantic comedy where I can just have a crush on the guy, trip over myself, and laugh and be goofy. I just feel like all I do is cry, sob, and fight zombies and the bad guys.
I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.
When I was on the set, I was not talking on the phone or reading anything else. I was just reading things, listening to music and watching things that had to do with the state of the scene. So it would be a constant, maintaining for the whole day that state. If I had an hour off for lunch, I would put on a movie or something that would help me stay in that area. And at the end of the day, I was like a zombie.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.
Larry King has been married more times than Henry the Eighth. We used to have that rhyme to keep track of them. 'Divorced, beheaded, died. Divorced, beheaded, survived.' With Larry I think it goes, 'Divorced, beheaded, divorced, escaped. Zombie, lesbian, disappeared, inflatable.
World War Z is out today. The big zombie movie. The trailer looks scary. You see hordes of bodies climbing and rolling over each other. It's like Black Friday at the mall.
A lot of the conventions aren't full of "Cheers" fans. They are more themed for fans of monsters and zombies.
At 7 in the morning, Rob Zombie calls. I just let the machine answer it, because I'm like, "Who's calling me at 7 in the morning?" It's Rob leaving this message, going, "That was the best birthday present I ever got in my whole life. I looked at Halloween script from cover to cover. No one else will ever get their fingers on this. It's wrapped in plastic. It's going in my vault. I love it. Thank you."
I think that the invasion of suburbia, our homes and our families, by this indefatigable, unstoppable force like zombies is frightening and personal. And it's so much more frightening than a national park like Disneyland being invaded by Martians. I think that's the enduring appeal of zombies.
Zombies aren't about zombies. It's not about the dead bodies. I think it's a very hopeful subgenre. It says that regardless of what happens, humanity will get through it. We'll figure out a way to survive.
I know a lot of people who say, "I reluctantly watched the first episode because I don't really like zombies and that stuff, but I was pleasantly surprised by the characters and the drama of it all." I think that's what keeps people coming back and brings new watchers to the show. What the show does is cross many, many different viewerships.
Kids need to know more than just about unicorns and zombies and vampires. The rhetoric that's coming out is anti-black, anti-Mexico, anti-diversity. [Adults] definitely need to put it in context. I've talked to people who are literally struggling to sleep because they're anxious. Children pick up on that. Talk to your kid. Tell them, "this is what's bothering me." Explain that what's going on is unacceptable.
The best was The Yardbirds. I still love The Yardbirds and The Zombies.
I don't think there's any money to be made doing something that's that contemporary without having a spin on it. If there's a London riots film with zombies, that'd have more chance.
I don't think I've ever seen a zombie movie in my life.
I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.
I think it's so easy when you have children just to turn your focus inward on your family and because, when they're young, you don't sleep very much, you're walking around like a zombie most of the time anyway. It's a really important part of my life to have good friends, you have to work quite hard to keep the relationships going but it's worth it.
I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie.
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