A philosopher might find the general work unsophisticated, and scientists are often bemused by esoteric talk of zombies, supervenience, and possible worlds.
If you're going to be a zombie in a movie, you go big or go home.
I wrote 'The Zombie Survival Guide' because I wanted to read it, and nobody else was writing it. All I've been doing with everything I've written is answering questions that I had.
Zombies are the real lower-class citizens of the monster world and that's why l like them.
I'm a big zombie buff.
We are in the middle of what looks increasingly like the zombie apocalypse. Moaning people don't need help. Moaning people are intending to eat us.
I suppose I knew on an intellectual level that graves weren't especially made for getting out of. I mean, you start with a hermetically sealed casket and then you dump six feet of dirt on top of it. Over time the earth gets compacted, which can't make it easy to dig through. So even if you're a very angry and determined zombie, you've kind of got your work cut out for you just escaping from the grave.
I love the Walking Dead, but I dont wanna be an actual prominent character on the show. I just wanna be a zombie.
The zombie threat is made worse by the fact that their victims then turn into the creature that attacked them. This too is similar to other monsters (werewolves and vampires) and also similar to the sub-genre of infection/plague films. In the case of zombies, however, this may carry a greater sense of dread and revulsion: vampires and werewolves can be seen as desirable, potent, intelligent, virile creatures whom one might like -- in some way at least -- to become; a mindless ghoul condemned to wander aimlessly across an empty, ruined earth seems much less attractive.
There's something unsettling about the education of a child who comfortably enumerates the rules for surviving zombie apocalypse but finds it uncomfortable to enumerate the rules of his grandparents' faith, if he knows them.
You mean to say that when an imbecile walks into a church, office, day care center, or school, stumbling about, almost zombie-like, with gun-filled hands at his side, blabbering incoherently to his next victim, the reaction of grown men and women is to run, cry, whimper, and hide under a desk or pew? The sheeping of America is nearly complete.
Imagine what will happen to this nation if large numbers of American women start using the Wonderbra. It will be catastrophic. The male half of the population will be nothing but mindless drooling Zombies of Lust. Granted, this is also true now, but it will be even worse.
If you're willing to go along for this farcical ride, you'll find 'Dead Snow 2' to be one terrific zombie movie.
It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.
Zombies are then a symbol of our own mad urges to destroy ourselves, and a terrifying portent that we might succeed.
I'd definitely be into doing some zombie slaying music. That'd be cool.
Since zombies are not fully dead, they upset the essential balance of nature: no animals eat zombies, apparently, and zombies do not seem to decay, at least, not to the point of disintegration and reintegration back into the soil, so the food chain, or the circle of life, seems to end or be short-circuited by their existence. Zombies fulfill the worst potentialities of humans to create a hellish kingdom on earth of endless, sterile repetition and boredom.
I love zombies. If any monster could Riverdance, it would be zombies.
Zombies, vampires, Frankenstein's monster, robots, Wolfman - all of this stuff was really popular in the '50s. Robots are the only one of those make-believe monsters that have become real. They are really in our lives in a meaningful way. That's pretty fascinating to me.
The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
We have about three hours of homework a night, and our evening study period is only two hours, so if you want to spend the break at half-past-nine not freaking out, you have to cram. I'm not sure that the picture of the wide-eyed zombie girl biting out the brains of senior douchebag James Page is part of Sam's homework, bit if it is, his physics teacher is awesome.
As technology improves, on-screen avatars look more and more like real people. When they start looking too real, though, we pull away. These almost-humans aren't quite right; they look creepy, like zombies.
We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice, the stain of lies. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better. Then it melts. The bus drivers rev their engines and the ice cloud shatters. Everyone shuffles forward. They don't know what just happened. They can't remember.
I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
I keep a little notebook of things that I can do to the zombies that might be silly and fun.
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