There is always pressure in this game and outside of it but as long as you control what you can control the pressure will be used to my advantage, like what the saying goes 'no pressure, no diamonds'.
My mentality is like a samurai they used to train every day, work on their technique to make themselves better, almost perfect, perfection is impossible but every day you get closer and that's what I want . Every day I want to get better than I was the day before. I want to use every second of my life, every time I have in my life to make me a better fighter. It's more than a job it's a way of living.
Before a fight I'm always afraid... before I used to have a hard time just dealing with it because I would try to run away from it, but then as I competed more I understood the fact that this is how I'm supposed to feel.
I always knew I had to be 100 percent in charge, even when I was a middle manager. I used to say to my boss, "Just give me enough rope and then fire me."
When I was younger I was very opinionated about art. And then, I realized that I kind of recognized this pattern where the things that I was vehemently of pissed off about, I would end up loving them two years later. So I just tried to mellow out. Like there's art that I think is pretty silly, but it doesn't get under my skin like it used to.
Time has been used destructively by people of ill will much more than it has been used constructively by those of good will.
I used to work out in the gym a lot when I was younger. I was a competition body builder when I was 16 or something crazy like that for a short period of time. So, the gym is quite familiar and I know what I'm doing there.
My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
I don't Twitter. I can't even remember my password name. I have problems with electronics, so what I've done is hire a young man out of college, whose very fingers are the extension of computer keys, and he Twitters. He does the mechanics, but I very carefully modulate what is said and have used Twitter to publicize stuff, have conversations and instigate competition.
I keep having these bros come up to me and say, "I used to watch you when I was a fetus," and I just want to kill them.
Nudity and sex scenes are two completely different things. Nudity you can kind of get used to, but not when there is movement and relating involved. The sex scenes are very uncomfortable because that's something to be protected, so you have a visceral reaction to not exploit that.
Gothenburg's definitely a music city as well, but I think just because of the weather - it's so cold and miserable - people stay in. Coming to the States and going into the store and people are like, "Hi, can I help you?" - I'm not used to people randomly talking to me that I don't know.
I used to be really influenced by Brian Bendis, back in his indie days. But I guess I try to tone that down.
I've always been singing and making noise. I used to do that all the time when I was a kid. My mom would get very frustrated with me because I would just sit around and make noises.
I used to collect frames. I've been collecting accessories since I was 11-years-old, creeping around flea markets and sales and everything. Whenever I saw unusual eyeglass frames, I bought them.
I never used to kill characters, because I thought killing characters was cheating.
I think kids have got to learn how to work with what's happening, work with social, work with everything. To complain about how things aren't the way they used to be.
You're so used to being on the road and having a schedule that the insanity seeps in when you're sitting at home and there's nothing going on that day. I remember the first time we got off one of our first big tours, I told my guys, "Go home to your girlfriends." The next day, all my guys texted me like, "Do you wanna, like, do something? Let's all go bowling. I can't hang with people that live normal lives."
I was struck by - Einstein's a fascinating figure who didn't have any instruments that he used, he didn't use telescopes, he used his mind to try to understand the universe.
I used to play until 4 o'clock in the morning.My dad would go nuts - he'd scream and say the cops are gonna come and break our instruments.
You have to remember the police used to raid and arrest the audience for seeing Scorpio Rising (1964), or Jack Smith movies. Wouldn't that be exciting today, if you see went to the movie and everyone at the IFC was arrested in a paddy wagon and taken away?
I used to envy people who had written books, the way I think women envy other women who've had babies. I was resentful, shy, and inhibited around people who had written books. They'd done things I wanted to do.
When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process.
The very things I used to be told off for - daydreaming, exaggerating, making mistakes, wild guessing, contradicting, spying, being obsessive, being reckless - for these, suddenly, I am being praised.
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