The problem now is that young people, young indigenous people, are not so interested in preserving traditional knowledge. So for them, seeing that it was important for us and for the outside world, this traditional knowledge, it was a big deal to them.
So the difference between most books about love and Love For No Reason is that traditional love books focus on love as a stream of energy between two people, whereas this book focuses on love as a deep state of being that you can live in no matter what's going on in your life.
I think that there is an ongoing conspiracy in the philosophical community, an organized form of self-deception, as in a cult, to simply all together pretend that we knew what "first-person perspective" (or "quale" or "consciousness") means, so that we can keep our traditional debates running on forever.
I never really followed the traditional route when it comes to what people probably expect as a solo artist goes, but that's just me. It's my own creative output and it's my expression.
What we're witnessing really is a political realignment, I mean I think we're moving from a traditional understanding of left-right politics that we've had for a long time.
I think what has been the ultimate challenge for me is being willing to be honest with myself about what works for me in terms of relationships and sexual relations. In that sense, I was pretty traditional and pretty buttoned down.
By arguing that the bundle theory does not entail and is not committed in any way to the principle of identity of indiscernibles, I have thereby defended the bundle theory from a traditional objection to it.
I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.
This and the small sample size inevitably leads to stereotypes - sweeping family sagas from India, 'lush' colonial romances from South-East Asia. Mother and daughter reconciling generational differences through preparing a 'traditional' meal together. Geishas. And even if something more exciting does manage to sneak through, it gets the same insultingly clichéd cover slapped on it anyway, so no one will ever know.
As the great naturalist Charles Darwin saw clearly, individual and collective interests often coincide, as in the invisible hand narrative. But he also saw that in many other cases, interests at the two levels are squarely in conflict, and that in those cases, individual interests generally trump. That simple observation suggests that market failure is often the result not of insufficient competition (the traditional charge from social critics on the Left), but of the very logic of competition itself.
We have not destroyed al Qaeda, so we still have that to worry about. We have its traditional allies, the Kashmiri groups, the groups that are operating now in Iraq, and now we have a third tier of threat amongst the Muslims that live in the West and who are inspired to do something against the West by the example of the other two tiers.
For a long time I listened to other people to decide whether I was still Christian or not, and I would sort of vet myself by the traditional formulae.
I'm in a mainline church, I'm very aware, especially as I move through community churches and new-start churches that are making real efforts not to associate themselves with traditional denominations - very often they have no history. They have no institutional memory.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
Most traditional Scottish food is designed to use things that are just about to go...off.
I think it's pretty dynamic. There's a lot of energy there and life, and you'll have women dressed in their traditional African dress when they come, and you have people from all over the place, and some people have headphones on because they're listening in Spanish.
The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.
I enjoy recording live better, but I think by the nature of it you are going to end up with something that's a little bit more traditional.
As for complicating the black metal aesthetic, I don't care about that since it was never a goal of mine to lay out any particular preconceived aesthetic, let alone one of traditional black metal where pseudonyms are adopted.
My colleagues and I have done a survey of 13,000 students on more than 17 campuses, and we found that while sex in college has always been a bit more casual, "hooking up" has pretty much replaced other traditional forms of dating.
If you want to make something that's aggressive and challenging and peculiar and strange and trying to step outside of a traditional approach, some people aren't going to like it.
Saying that you've got acoustic instruments and that's traditional and so people will think it's more intimate, that will always be the case. It's a more intimate sound, so it's going to sound more direct whatever you're singing about.
I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.
When designing a collection that is traditional, that has one specific sort of garment like a white dress, I think just being constantly attuned to trends really help.
Mandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound.
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