Chance is perhaps the pseudonym of God when he did not want to sign.
The man creates a pseudonym and hides behind it like a worm
Chance is the pseudonym God uses when He'd rather not sign His own name.
I suggest to my students that they write under a pseudonym for a week. That allows young men to write as women, and women as men. It allows them a lot of freedom they don't have ordinarily.
It's very hard to be an experimental woman writer. If I had been writing under a pseudonym, just initials, I might have a different reputation - but, then I couldn't be myself either.
I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.
Wormholes were first introduced to the public over a century ago in a book written by an Oxford mathematician. Perhaps realizing that adults might frown on the idea of multiply connected spaces, he wrote the book under a pseudonym and wrote it for children. His name was Charles Dodgson, his pseudonym was Lewis Carroll, and the book was Through The Looking Glass.
When you have a global mush, people lose their identity, they become pseudonyms, they have no investment and no consequence in what they do.
I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
I haven't sworn off Facebook. I'm on Facebook. There's a fan page on Facebook that I will update, but I'm on there myself under a pseudonym, because there were a lot of people able to private-message me on Facebook, and it was getting really weird. And then with MySpace, I just don't read messages. I delete everything, and I just post updates every now and then.
Nom de Plume uses the device of the pseudonym to unite the likes of Charlotte Bronte, Mark Twain, Fernando Pessoa, and Patricia Highsmith into a cohesive yet highly idiosyncratic literary history. Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.
And I can't think of a reason I'd ever use a pseudonym, as I wouldn't want to publish something that I didn't like enough to put my name on it.
I more seriously considered publishing it under a pseudonym than I considered publishing it as fiction. I think the decision to write it as nonfiction happened at the very outset of the process, because the overwhelming impetus for writing this book was to understand what the experience meant, and to override my own reductions and rationalizations, whatever story I had that was not true. It didn't sit well with me and I needed to answer that. That's sort of the reason I write everything.
No government ought to be without censors; and where the press is free, no one ever will. Chance is the pseudonym of God when he did not want to sign.
Chance is but the pseudonym of God for those particular cases, which he does not choose to acknowledge openly with his own sign manual.
As for complicating the black metal aesthetic, I don't care about that since it was never a goal of mine to lay out any particular preconceived aesthetic, let alone one of traditional black metal where pseudonyms are adopted.
'Envy the Night' was my first stand alone, the first book I'd written in the third person and I loved the feel of that, and it was different but it was also the same. 'So Cold the River,' I knew, was going to be really different, and that's why I thought about doing it as a novella under a pseudonym, because I didn't want to damage my career.
I've been busy for years, buying land, often under pseudonyms, and planting trees on it. All the money is going into it when I die.. and in the end I'd like to think that it will be 20 to 30,000 acres.
The life of Dumas is not only a monument of endeavour and success, it is a sort of labyrinth as well. It abounds in pseudonyms and disguises, in sudden and unexpected appearances and retreats as unexpected and sudden, in scandals and in rumours, in mysteries and traps and ambuscades of every kind.
I chose to publish the first 'Shopaholic' book under a pseudonym because I wanted it to be judged on its own merits.
To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!
My name is not Mara Dyer, but my lawyer told me I had to choose something. A pseudonym. A nom de plume, for all of us studying for the SATs. I know that having a fake name is strange, but trust me-it's the most normal thing about my life right now. Even telling you this much probably isn't smart. But without my big mouth, no one would know that a seventeen-year-old who likes Death Cab for Cutie was responsible for the murders. No one would know that somewhere out there is a B student with a body count. And it's important that you know, so you're not next.
I chose a pseudonym, Chris Marker, pronounceable in most languages, because I was very intent on traveling.
While I was writing I assumed it would be published under a pseudonym, and that liberated me: what I wrote was exactly what I wanted to read.
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