The creative process is different from the traditional production and work-flow process. It is not so linear.
The traditional model for a company like Coca-Cola is to hire one big advertising agency and essentially outsource all of its creativity in that area. But Coca-Cola does not do it that way. It knows how to manage creative people and creative teams and it has been quite adept at building a network that includes the Creative Artists Agency in Hollywood, which is a talent agency.
Coca-Cola can get really fresh output because it is getting people who are outside the traditional model and they are combining ideas in very novel ways.
The best songs of this [modern] period - the apocalyptic "High Water," for example - return [Bob] Dylan to where he was in his first phase, updating and transforming American traditional music.
In the media, traditional media like print, we had boundaries. You know, we had spaces that ads didn't leave. They stayed where they were on the page. They didn't float around over the text. And we're kind of lost on the internet. We don't have any barriers. We have a demand for growth that is insistent.
Our traditional systems of decision-making are just not up to preventing changes in fundamental earth systems that are driven by a constant barrage of individually negligible emissions of an invisible, odorless gas, by billions of people all over the world.
If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.
I mainly play traditional music, which by definition is music that you've heard someone else doing.
Traditional folk music is about survival of the fittest song just like evolution is about survival of the fittest organism and generally the more times a song has been passed down the generations the more brilliant and concise it becomes as every link in that chain can add something good or remove something unnecessary.
For my 21st birthday, I think my mother wanted to give me a watch, or something, you know, some kind of traditional thing. And I said, "Well, if you're going to buy me something, there's a Gibson Melody Maker guitar advertised in the paper for 60 dollars. Do you think I could have that?" And I think that she was very disappointed that at 21 I was still messing around with that sort of thing. She didn't understand what it was all about. But now she understands it, and likes it.
With the passion and the vision of the Berners [Sanders] coming into the Greens - we call it berning green - and the events that I'm going to that are being created around the country right now, it's the Bernie folks who are showing up in huge numbers along with the traditional Green. It's very powerful.
In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.
Most of the work I make uses materials that are a bit outside of the traditional fine art world.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
Just as there's some technologies that jeopardize revenue for traditional products, there are also technologies that can significantly lower costs.
Every traditional ways in politics that you get rid of an enemy has not worked on Donald Trump.
The traditional thinking has been that the stock market likes certainty.
[Donald Trump ] would make history in so many ways because he is a candidate who eschewed the traditional arts of political campaigns, including field organization, traditional advertising, debate preparation and policy knowledge.
Meanwhile, there are some traditional battleground states - like Ohio and Iowa - that are becoming older, whiter and less educated. That's turning them from true battlegrounds into more reliable red states.
I think maybe it's more important to know the traditional concepts we have for thinking about how bodies are feminine or masculine or how sexuality is, straight or gay. These categories very often fail to describe the complexity of who we are.
It's not like it's a brand new vocabulary that permits to have a new reality. It's rather a new vocabulary that lets us see that our lives have always been more complex than traditional categories allow. So, I think, you know, maybe the introduction of new words permits us to rethink what we've taken for granted about what forms bodies take, what the name is for certain kinds of sexual, intimate relations, how we think of a life.
If the social conservatives feel that they have a strong argument on traditional marriage, then feel free to have it.
I think that when you sequester yourself, when you put yourself into another area where you can't be part of the main traditional culture you're limiting your possibilities in the United States and I think that's one problem.
I do have traditional values: I believe in being a good person and being polite.
I'm a country girl, raised in Gloucestershire, England. But my family encouraged me to travel, and I wanted to experience the world. Maybe that's not traditional, but my values have stayed strong. Perhaps that's where wanting to have children comes into it: I'll always be making work; I guess when - and if - I have children, I'll have them with me.
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