In the Age of Aquarius, the depression and stress on mankind will tear up people who do not have the technical knowledge of self.
There is poetry and there is beauty in real sympathy; but there is more - there is action. The noblest and most powerful form of sympathy is not merely the responsive tear, the echoed sigh, the answering look; it is the embodiment of the sentiment in actual help.
The human race could go extinct and I for one would not shed any tears.
I will probably always cry myself to sleep, but knowing this, someday the tears won't be sad, or filled with regret. Maybe they will be joyful
The sun is roaring, it fills to bursting each crystal of snow. I flush with feeling, moved beyond my comprehension, and once again, the warm tears freeze upon my face. These rocks and mountains, all this matter, the snow itself, the air- the earth is ringing. All is moving, full of power, full of light.
In the clearness of this Himalayan air, mountains draw near, and in such splendor, tears come quietly to my eyes and cool on my sunburned cheeks. this is not mere soft-mindedness, nor am I all that silly with the altitude. My head has cleared in these weeks free of intrusions- mail, telephones, people and their needs- and I respond to things spontaneously, without defensive or self-conscious screens. Still, all this feeling is astonishing: not so long ago I could say truthfully that I had not shed a tear in twenty years.
If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
The vision preached by my father a half-century ago was that his four little children would no longer live in a nation where they would judged by the color of their skin but by the content of their character. However, sadly, the tears of Trayvon Martin's mother and father remind us that, far too frequently, the color of one's skin remains a license to profile, to arrest and to even murder with no regard for the content of one's character.
Our life is like a land journey, too even and easy and dull over long distances across the plains, too hard and painful up the steep grades; but, on the summits of the mountain, you have a magnificent view—and your eyes are full of happy tears—and you want to sing—and wish you had wings! And then—you can’t stay there, but must continue your journey—you begin climbing down the other side, so busy with your footholds that your summit experience is forgotten
The little babies are missing their families from their past lives. The babies have old souls and the old souls have to shrink to become little babies. The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they'll forget.
What interests me about fiction is, in part, its flickering edge between realism and where a tear in the fabric of a story lets in some other sort of light.
Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.
When you meet someone you love, then you change for good. That’s why the other person will never know or understand the earlier you, and why you can never change back. And why, when that person starts to go, you’ll feel the tear deep in your heart long before your head has the slightest clue what’s going on.
When the end comes, I hope it’s as strange as that. I hope that the sky tears open and the world is washed with colors that we’ve never seen before.
I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.
The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.
In some cities they tear down buildings to save taxes. They might try tearing down some taxes to save buildings.
If tears were liquor/ I'd have drunk myself sick.
Tear-stained flops are necessary. They're the gift you give yourself when you're willing to fly.
There are tears that shine like a smile, sobbing like a sunrise for the truth.
A longing to wander tears my heart when I hear trees rustling in the wind at evening...
My thoughts are crabbed and sallow, My tears like vinegar, Or the bitter blinking yellow Of an acetic star. Tonight the caustic wind, love, Gossips late and soon, And I wear the wry-faced pucker of The sour lemon moon. While like an early summer plum, Puny, green, and tart, Droops upon its wizened stem My lean, unripened heart.
You thought I was that type: that you could forget me, and that I'd plead and weep and throw myself under the hooves of a bay mare, or that I'd ask the sorcerers for some magic potion made from roots and send you a terrible gift: my precious perfumed handkerchief. Damn you! I will not grant your cursed soul vicarious tears or a single glance. And I swear to you by the garden of the angels, I swear by the miracle-working ikon, and by the fire and smoke of our nights: I will never come back to you.
That's the trouble with cookbooks. Like sex education and nuclear physics, they are founded on an illusion. They bespeak order, but they end in tears.
Friends of mine said later that they had been riveted by a postgame television close-up of Wade Boggs, sitting alone in the dugout with tears streaming down his face …. I suppose we should all try to find something better or worse to shed tears for than a game, no matter how hard it has been played, but perhaps it is not such a bad thing to see that men can cry at all.
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