I love stage actors. There's something special about all people who have to do a performance eight shows a week, and musical people, especially, are so much fun.
I feel a lot more comfortable on stage in the theatre. It just reminds me of being a kid and doing pantomimes.
I'd do pretty much anything to get back on stage. I'd like to develop a new musical. I nearly had a heart attack when I heard that they're developing John Waters' Cry-Baby because that is so amazing and super and wonderful and I wish that I could be involved. But it's not the right time and I understand that. But I hear things like that and I get that little tingle in my stomach.
My family was blue collar, a middle-class kind of thing. My father was born in Detroit, Italian-American. My mother is English. She acted on the stage with Diana Dors. Her parents were French.
If you can play well in the studio, you can play well on stage.
Sometimes I have a tough time getting along with myself. When I was a child, I needed a lot of attention... and I don't have a small ego. For me, appearing on a stage or presenting a cake is the same thing. You need a crowd around you to do it.
I sang on Church Street, every place that had a stage.
I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.
When I was a child I wanted to be a petrol pump attendant. I suppose you have all sorts of thoughts as a child and at the time I figured that it was a way to avoid doing anything like going on stage.
When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.
I'm not a big raised stage fan.
I've been getting in trouble my whole life and I really don't care what anybody thinks of what I do on stage as a comic.
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.
You cannot imagine how great it is to step out on the stage with thousands of screaming fans loving you.
I loved being on stage. I was in elementary school when I started, so I couldn't say that it was about the building of characters.
My father is a university professor so when the schools needed a little kid for their productions I was often the kid they used. The first time I was ever on stage was about 2nd grade.
No matter what you're going through, as long as you have some specific emotion, whether it's positive or negative, it is all stuff that you can use on stage.
If you go on stage with the wrong attitude, or something in your performance is off, you can lose an audience in the first minute. That first minute is crucial.
I read stories aloud at every stage. I listen to my writer friends when they kindly offer criticism. I listen to my husband when he tells me something doesn't seem right. I have my mother's boyfriend, Loring Janes, read to make sure I get everything right with the machines and guns.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
And when I perform on my own tour, I have to talk myself into going out on that stage every single night.
There is something about New York City that in and of itself is so theatrical hat I use to think... I use to feel when I walked out of my apartment on the way to school or anywhere that I was walking out on stage.
The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.
You leave part of yourself on every stage you're on. How could you not live in the air somehow?
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
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