Then if the actor comes up with, "It's more logical to do this," I just change it [a scene] on the spot.
I guess with the way that I've conducted myself I'm in the logical spot and I'm fine with that. Even my limited interactions with success have left me confused and bummed out, so I don't think the two can co-exist.
When I read "The Whole Nine Yards" I was like, 'Okay, this is a G-spot role'.
Finding my dog's g spot is taking way longer than I would care to admit.
Walking back and forth also helps by creating the illusion that you are thinking of the routines on the spot, giving your performance a more spontaneous feeling.
The catalogue of miseries seems to cry out for commercial spots and a station break: the stuff of noonday soap opera.
Everybody's a racist. It's the one human trait that makes us all exactly the same. Deep down, we only like people who are exactly like us. And it doesn't matter. White. Black. Red. Yellow. Purple, uh oh, the purple people, are the worst. Man. All prejudiced and birth marky. But, we've got to learn to get past our differences. I learned that at the museum of tolerance. After my dad beat the crap out of a guy over a parking spot.
I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!
Stop thanking god for your parking spot. He had nothing to do with it, and if he did, I want nothing to do with him.
And for all of you at home, you are all welcome to visit my store. You are also welcome to park off you motherparking parks, and go park yourself. But remember, don't park in a handicapped spot.
It seems to be extensively believed by photographers that meanings are to be found in the world much in the way rabbits are found in downs, and all that is required is the talent to spot them and the skill to shoot them... But those moments of truth for which the photographic opportunist waits, finger on the button, are as great a mystification as the notion of autonomous creativity.
I really believe in having projects which in fact can't be carried out, or which are so simple that anyone could work them out. I once made four spots on the map of Holland, without knowing where they were. Then I found out how to get there and went to the place and took a snapshot. Quite stupid. Anybody can do that.
A photograph can, by the addition of an unimportant spot of color, become a photomontage, a work of art of a special kind.
In this world, the spots where the present seems to overlap the past are the most important. These are the points when one becomes aware that the direction of the world can change.
Anyone can spot a lie, unless he is in need of that lie.
One of the high spots of the decade for me was offering the bill which culminated in the tax act of 1986, which brought rates down. That was the most difficult problem to solve: how to make the tax system of the United States more fair. We tried to make it simpler, but we failed on that one.
I wanted to give up, but my family kept me going.
I'm not really comfortable in any one spot.
About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.
It's a different feeling; I like touring and playing on the road better, but recording has its good spots.
Well David "Fathead" Newman was my first experience with improvisation. When I saw him play for the first time I realized that there is an importance of spontaneous music being made on the spot. It was so soulful and singing through his horn. So that's how I was inspired early on.
It's always easier to spot others' hypocrisies while missing our own.
I can't remember exactly the first thing I wrote, but one of the stories, was about a pilot whose plane crashed on a desert island, and the only other life on the island was a brown cow with yellow spots. The cow had... to survive, had taught itself to eat and get nutriments from sand. I guess, I've always been interested in adaptability and taking whatever life hands you and running with it.
While visiting places in the South with my heart really open, I realized how important people in certain geographical spots were to me, what they symbolize, how I'm still connected to them and how much they are a part of my ancestry, both musical and real.
wanted to highlight that to a certain extent and go deeper into that direction. I also try to write each song in a different key, so I can be as diverse as I can. I'm always trying to push the envelope and not be complacent or happy in one spot. As far as the grooves on this record are concerned, I think we just tried to experiment in that realm.
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