I do crosswords when I have time to kill somewhere, and am 100 percent successful on filling in the spots I get stuck on - after I close up, do something else, and then go back to it.
One particular spark was when I went back to my favorite spot in the mountains where my father always used to take us before my graduate studies in Canada and finding that the stream I had gone swimming in wasnt there. The forest had been converted into an apple orchard with World Bank financing. The entire place, literally, had changed.
If you're going to do a guest spot on television, they need bodies on those procedural TV shows. You've got to keep working, and that's where a lot of the work is.
I think that that's always been a real talent of mine is to be able to spot somebody who has that thing that is so non-definable, that thing that I wish I possessed.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
I think network television is really hard because it has to sail right away. HBO's so much more nurturing, patient. They think it takes a while for a show to kind of congeal and figure out what its strong spots are.
I grew up on the beaches, and I always found it kind of funny that it's considered decent if you cover three tiny spots with pieces of fabric.
You could be as vulgar as you want, as long as three tiny spots were covered.
I think a lot of nights together have been spoiled by somebody not being able to find a parking spot and saying, "Why don't we just go home?"
You know, really - actually, it's funny because it's a sore spot with me because I have all these recipes that, you know, you have to measure things out and put them in. And then you bake it and it becomes this thing. And it's not a recipe.
Sometimes when a movie is really alive you can see that they were just making decisions on the spot. They weren't bound to anything, they were working with ideas that the actors and situations presented.
Things move so quickly on set. When you're about to do another take and you have a minute to figure out what you're doing, you just kind of determine how you're going to do it on the spot.
So I do think sometimes the political mechanism is completely disconnected from the people. However, what I will say is that history tells us that whenever things start to move too fast, whenever progress makes people feel a little breathless, one of the go-to spots that government, that the ruling powers that society goes to is to try to repress women.
How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.
I miss the hot spots. I miss the hospital calls. I miss the nursing homes. I miss the really intimate human contact with other people, which I did nothing to earn.
I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.
When you work on a computer in the studio, it's almost like fossilizing on the spot, you know, the idea of getting solidified on the spot, like a snowflake might create branches by accumulation.
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
I would drive through the desert, and there's this one spot in the desert that, every time I drove through it, I would get crazy ideas. I would either sing into the cell phone recorder or I would sing into a DAT machine.
I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.
I think my own bias is that there may be something wrong with the timing and the connectivity between regions rather than pointing to one particular spot in the brain.
You're pulling out and someone says, 'hey, you know what, go ahead and take my spot', miracle.
I make predictions about what I'm going to do before a fight, that makes me nervous because I've gotten so good at it until people really look for me to do it.If I say the man's going to fall in round five, like your man Henry Cooper here, he was stopped in round five but it was on a cut - it wasn't because he was out. But usually 'm on the spot with my predictions and some people really gamble and bet money on the rounds I say.
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Justice Jefferson has a blind spot on race. You know, more than a blind spot. A terrible blemish on his legacy, slavery, for which he's properly excoriated. So, I think [Louis] Brandeis has done this as well.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: