Some people feel like they don't deserve love so they walk quietly into the empty spaces.
This body is a tent which for a space Does the pure soul with kingly presence grace; When he departs, comes the tent-pitcher, Death, Strikes it, and moves to a new halting-place.
Gates appeal to me because of the negative space they allow. They can be closed but at the same time they allow the seasons and breezes to enter and flow. They can shut you out or shut you in. And in some ways there is no difference.
Make a little space, and get out of your own way.
Singapore gives 10% "white space" time to all of its teachers to come up with their own innovations outside of the official curriculum. This encourages teachers to turn to their colleagues for inspiration and ideas.
The Mesh difference is that with GPS-enabled mobile Web devices and social networks, physical goods are now easily located in space and time.
I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.
I grew up in New Mexico, and the older I get, I have less need for contemporary culture and big cities and all the stuff we are bombarded with. I am happier at my ranch in the middle of nowhere watching a bug carry leaves across the grass, listening to silence, riding my horse, and being in open space.
If man merely sat back and thought about his impending termination, and his terrifying insignificance and aloneness in the cosmos, he would surely go mad, or succumb to a numbing sense of futility. Why, he might ask himself, should he bother to write a great symphony, or strive to make a living, or even to love another, when he is no more than a momentary microbe on a dust mote whirling through the unimaginable immensity of space?
I wanted to experience both. I wanted worldly enjoyment and divine transcendence. I wanted what the Greeks called kalos kai agathos, the singular balance of the good and the beautiful. I'd been missing both during these last hard years, because both pleasure and devotion require a stress-free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety. As for how to balance the urge for pleasure against the longing for devotion...well, surely there was a way to learn that trick.
I grew up watching movies on television and computer screens. They affected me just as powerfully in the small private space.
Sounds like to have space sometimes. It's good to give yourself a variety, or you just fatigue your ear. Like if somebody sings in the same register all the time, or if it's got the same feel the whole way through, I just find I get fatigued, so it's nice to break it up.
When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.
People need space to survive.
ISS leak is just like on a ship, there are bulkheads that, if there's an emergency, can separate an area that's no longer airtight from the undamaged portion of the station. The former Russian space station Mir actually did once develop a leak, after colliding with an unmanned cargo ship. Everyone survived.
A person moving in zero gravity feels a pitiful helplessness. One wrong move and you find yourself spinning wildly. Everyone becomes a baby again in outer space, laboriously learning how to walk.
There's no free lunch. If you want an industrial economy, you need energy. If you want energy, it will produce pollution. You can have it in two forms. You can have it dissipated in the atmosphere - like carbon dioxide - which then you cannot recover, or you can have the waste concentrated in one small space like nuclear. That is far easier to deal with. The idea that you can be able to create renewable energy at a price anywhere near the current price for oil or gas or coal is a fantasy.
I am firmly convinced that there is life after death, not in a primitive sense but as the entry of my completely finite person into God's infinity, as a transition into another reality beyond the dimension of space and time that pure reason can neither affirm nor deny.
I'd like to get shot into space. I'd like to potentially visit the moon. I don't know if I can do that in the next couple years, but I spent some time at the jet propulsion lab, looking out at the future of when a guy like me can do a little space travel.
I have no doubt in mind that I justify the space I take up in the world.
Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)
What's beautiful about art is that it circumscribes a space, a physical and mental space. If you try to put the entire world into every page, you turn out chaos.
I grew up on a Christmas tree farm with all this space to run around, and the [freedom] to be a crazy kid with tangled hair.
Investigative journalism has been relegated to a very, very tiny space in America. We don't really have much investigative journalism left. And the last refuge for it is documentary filmmaking.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
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