Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.
Keep away from people who try to belittle your ambitions. Small people always do that, but the really great make you feel that you, too, can become great.
A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
Our greatest weakness lies in giving up.
What you really want for yourself is always trying to break through, just as a cooling breeze flows through an open window on a hot day. Your part is to open the windows of your mind.
I was always trying to make up for my size, to compensate. So to get people to take you seriously, you have to come at things with a great deal of strength. You have to emphasize that the way you are is unusual. That you don't come along every day.
I'm very 'spur of the moment'. I'm always trying to think of fun things to do to create a memory.
I'm always trying to remember that kindness goes a long, long way. I think that's something that people will definitely take out of this film as well.
I'm always trying to swim to new ground.
We [in the MBA] get to create a situation where we're really choosing the students to join our environment based upon what we think they can teach the rest of us. We're always trying to attract people who are going to bring excitement and intellectual curiosity into our classrooms in our environment.
I think we have a free will, and at the same moment we don't. We have to live with that. It doesn't make sense intellectually, but that's because our intellect is always trying to come up with a logical, rational explanation for things. To do that, it puts labels on things. But once you label something, you've got twoness. You've got the label, and you've got what you're labeling. And there is only oneness in the universe, even though we artificially believe in twoness.
I'm always going to be a student. I'm always learning. I'm always trying to grow. I'm always trying to understand. I never want to feel like I've arrived.
You do learn things and one of them is that happiness has nothing to do with validation from other people, the important thing is being happy with yourself ... finding something that is important to you and sticking with it no matter what anyone says. The truth is you've got to really be tough because there are all kinds of forces that are always trying to get you to do things their way ... trying to tell you that you are throwing your life away if you don't follow their advice.
I was always trying to look modest and natural. I don't like women who come into the lab and you see immediately that it took them two hours to dress in the morning.
The strength of film is its accessibility and immediacy. But the strength of books is that freedom to really depict anything you want because people are going to be reading it in private. So, I'm always trying to write with the immediacy and the constant motion of film but I'm also trying to write with the complete freedom of subject matter that books have.
No matter how many scores I've written, the next project will hopefully be completely different. As hard as it is, I'm always trying to stay fresh, not repeat myself, and come up with original musical ideas and ways of scoring.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
Despite its maddeningly vague, inarticulate form, anxiety is almost always trying to tell you something useful and apposite.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.
Disasters are funny to me. As a comedian you learn from failure, so I'm always trying to put myself in a situation that does not seem ideal for my comedy and see how it works.
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects.
I write about love and family a lot, because I'm always trying to figure those things out. At different points in my life, just when I think I've finished writing about it, the dynamics shift, and then I have a whole new set of questions and worries and misunderstandings to wrestle with.
It is concern that precedes and inspires agendas, and survives when agendas fail, and it causes us to try again, always trying our best, never certain about our own judgment. It is knowing that God's purpose exceeds whatever we can put in an agenda.
Not only are we going to shift in our own lives - away from always trying to identify ourselves on the basis of what we have, what we do, and who we are better than, and so on - but shift into more reaching out, more service, more kindness, more living the virtues that Lao Tzu spoke about twenty-five hundred years ago.
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