I'm very progressive in a lot of ways, but I'm a very proud American. It sounds so corny to say, but I am and have always been very... I'm just so proud. I don't ever not want to live in America.
Too many American (and other) Christians revel in feelings and/or morality and don't care to develop a biblically-shaped Zeitgeist or worldview. The result is folk religion rather than classical, historical Christianity which has always included sound theology.
I went off to college, a good, middle-class, very proper college, a Brethren institution, where two years of Bible study are required for graduation. It was a good, sound, thorough, but completely biased evaluation of the Bible, and I was delighted with it, because it helped to document my doubts; it gave me a framework within which I could be critical.My independent study continued for 20 years after this. So I do know the Bible very well from a Protestant point of view.
Playing 82 games is not hard. The games are easy. It's what you do between games that wears you out.It's all about maintaining your body, maintaining your fitness and you do that by eating properly, watching your alcohol intake - I know I sound like an old-fashioned guy - but you do that by going home between games and getting your rest, taking care of your body, making sure you're getting the proper rest, the proper nutrition.
Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
My name is indigenous to my country, it is not easy to pronounce, it takes effort to say correctly and I am absolutely in love with the sound of it and its meaning. Also, it's not the kind of name you baby, slip into sweet talk mid sentence, late night phone conversation, whisper into the receiver kind of name, so, of that I am glad.
I think in Somali, I cuss in Somali, when I'm afraid I reach for somali and this language is very rich, very filling. It's an unflinching language; the crudest most terrible things sound perfectly normal in Somali.
Social media is alluring, tempting, frustrating, etc. We mistake our interactions in social media as community, but is community possible when you don't even know what someone looks like or what his or her voice sounds like? I've enjoyed connecting with a lot of poets through social media, but do I truly know them if I haven't even met them yet?
When you're a producer on top of that, just havin' a beat that's hot is not enough. Now you know your sound, 'cause you've been workin' on your sound for so long, and now you're extra picky. You might do a beat that's ill, that the average rapper would pay big money to get on, but you don't wanna do it because you're like, "Ehhh... it's not what I'm looking for, it's not what I'm goin' for." So you're extra picky.
The influence that Oakland has on my sound is about 90%. There's so many different elements to Oakland. Of course you have the street elements, but then you also have the culture and there's so much culture around. It's a competitive city, it's full of just great artists and talent. It gave me the confidence, the passion, the realness I try my hardest to portray, so it has had about 90% influence on me.
Notice that all the traditional things philosophers do, looking for validity and soundness, promote civic friendship. That sounds pretty pie in the sky, yes, but I actually believe it.
I think that actually the rhythmic nature of picture books and of young reader story books is a way to help kids fall in love with language and what you can do with it and how it sounds in your range. It sort of has a musicality but on the other hand they get the story and the ideas and the context of it. I think it's a way to get kids into it and I also think that when kids are around people who love books it rubs off on them.
For me people are people, without meaning to sound corny, it's a plain natural fact, music is a universal language and I've always known that and observed that and treated music with great respect accordingly.
We know where the television is - everything has to be a sound bite; everything has to be an image; ideas are okay as long as they don't take more than four or five seconds to explain; candidates and issues are commodities that are sold like cans of soup; entertainment is limited to what a few people believe the lowest common denominator is; and you can't talk back to it.
As cheesy and melodramatic as it might sound, love excites me more than anything... in all its forms.
I guess what I know now that I definitely didn't know as a child, is that being truest to yourself is the greatest weapon in the war to achieve. That sounds really negative, but in conquering or achieving something. I think, as a child, I thought I had to be somebody else.
I think it's really good not to get published. It sounds crazy but it's true. People want to get published very soon, but the moment that happens, you lose a bit of your originality. Once you publish, you are always doing things made-to-order. You stop being a weaver and become a tailor. You are tailoring things to suit other people's fashion.
My own personal sound is really progressive. It's like a mixture of gospel, pop, neo-soul, R&B. It's like a huge gumbo. If you're eating gumbo you grab a whole like cup full of whatever. You're getting a whole bunch of stuff that makes this amazing food in your mouth. So that's essentially kind of like what my sound is.
I know this will sound naïve, but I often wonder what America would be like if our national ethos was simply to minimize suffering. Period. To try, every day, to convert our wonderful wealth and national energy into the cessation of suffering wherever we find it. Imagine if that was our national mindset. Well, we can-we must-dream.
For me, changing the sound and listening to new music - that's just so fun. Sometimes it works and sometimes it doesn't. You're never going to please everybody. I feel that at the end of the day, I should make what I want to make since somebody is going to hate it and somebody is going to love it too. I can't control that.
I think that the development of any culture has something to do with the way people deal with the concept of illusion. The fact that the sound of my voice and the way I modulate it creates pictures in your head... in order for us to accumulate knowledge, we have to create symbolic exchanges that let ourselves be fooled temporarily by something that's not there - by a substitute for reality. When you talk about representation, you're talking about language.
Life is short. I'm here to make music, I'm not here to sit on a beach. That sounds really boring to me.
I love story songs. It's just, for me, they're harder to write, and sometimes they sound too intended or something.
We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.
The essence of the cinema that I'm interested in is a combination of love, rage, and curiosity. Sometimes it's hard to see those intentions, or maybe it's hard to portray them on film in a way that doesn't sound too preachy or irrelevant. So instead of saying it out loud, you say it multiple times in the movie by hiding it. You get a sensation after you see the whole film throughout yourself.
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