My radio show, I'd show up, I'd read the data, and I would have sound bites and stuff like that.
The act of surrendering sort of puts me in a different mindset that allows me to be more of a channel - because I'm not holding on so tightly to things, I'm letting go, and I find that in letting go I become more of a channel for life to really happen on life's terms. I mean, maybe that sounds sort of metaphysical, but that's honestly how I feel.
There's a thrill when you steal something in plain view of other people. When you drop a newspaper over a sign and walk away with it, or take something off a wall and the sound of the glue ripping makes people turn around. Your heart is racing, it's a rush.
Donald Trump has been about we, the people. I just wanted to counter that sound bite because that's part of the problem, bad sound bites. He's been about we the people. If he were just about Donald Trump, you wouldn't have had 14 million people voting for him.
I have friends who go [Tokyo] frequently on business, and it sounds interesting. I've heard that they have for the first time serious drug problems.
I'm using the laws of the nation to my benefit. And I should do that, it's to my benefit. Now, when, if I am running the country I will use that same ability that I have, because I have always had the ability to make a lot of money. I'll use that same ability to make our nation rich again, because it sounds like, not nice, some people said, oh that's a harsh word, "rich". We can't be great again until we are rich.
I think we all think we sound really good in the shower, where there's that nice reverb.
I do know that we have delusions about ourselves in what we sound like.
My first film I made, "Permanent Vacation," we shot in 1979 for like $12,000, part of which I got a fake car loan for that Amos Poe told me you could do that. And, yeah, I had no idea what I was doing. It was just like, well, we're going to try and do this. Partly because I had been following Amos Poe and Eric Mitchell around for about a year, and I worked on some of Eric's films as a sound recordist and stuff.
One of the things that authoritarians hate is the sound of laughter.
I'm a big proponent of letting songs tell me what they wanna sound like.
The goal with my music is to maintain a certain honesty and quality. That sounds pretty pretentious as if I'm trying to imply no one else is doing this - I don't believe that. I merely mean to say that what everyone else is doing easily, that is to say, creating without impediment - is sort of difficult for me.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.
I don't want to sound like a heroic woman or to seem full of myself, but I do have a core of trust that I'll figure things out and find my way. And if whatever I try is not a good experience, even that is a good experience. If something turns out lousy, it's interesting.
I'm a very outgoing guy when it comes to music and I like all kinds of sounds of music and genres of music.
The construction of social housing and the attempt to support families seeking to buy their own homes are all projects from the 1960s and '70s. It all sounds old-fashioned, but it is actually completely modern.
[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".
The wonderful thing about sound is that it is invitational, so ultimately each person is going to find their own relation to the material.
I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat; it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.
Donald Trump is not supposed to save jobs one by one. He's supposed to build a sound macro economy in which private enterprises create jobs.
This sounds strange to many people, but I work out for exactly 16 minutes every day, and do so at maximum speed by running 2.5 miles. This keeps me healthy without taking up too much time so I can stay focused on other things. It's one of the most efficient things I do each day.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
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