What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun.
The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
I am a hopeless materialist. I see the soul as nothing else than the sim of activities of the organism plus personal habits - plus inherited habits, memories, experiences, of the organism. I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed.
If I have learned anything from my SIMS family: When a child doesn't see his father enough he starts to jump up and down, then his mood level will drop until he pees himself.
I'm on the Web a lot. I like to play games online. Sometimes I play Sims.
My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random.
So heedless have we become of our own image that second-hand mobile phones now invariably come with a SIM card chock-full of discarded intimacies.
I think every coach has to adapt to what they have, because they're what you get. You can't just go out to the player tree and pick all the great ones. That doesn't happen. You get a Barry Sanders every now and then. You get a Billy Sims every once in a while. And when you have it, you adapt to their strengths. Whoever comes in here and whoever has this job needs to adapt and will do that.
If you build a snazzy alife sim ... you'd be a kind of bridging `first cause', and might even have the power to intervene in their lives - even obliterate their entire experienced cosmos - but that wouldn't make you a god in any interesting sense. Gods are ontologically distinct from creatures, or they're not worth the paper they're written on.
It doesn't make any sense. If the SIM are policemen, secret or not, shouldn't we trust them instead of being afraid of them?
For his thirtieth birthday he had filled a whole night-club off Regent Street; people had been queuing on the pavement to get in. The SIM card of his mobile phone in his pocket was overflowing with telephone numbers of all the hundreds of people he had met in the last ten years, and yet the only person he had ever wanted to talk to in all that time was standing now in the very next room.
Dave Sim said in his latest thing of his, 'when you're on the right track, you'll know it, but until you get there, you have to believe you're on the right track'. Interesting little conundrum. It's not easy.
. I did an interview earlier and somebody asked me if I [knew I] was onto something back when I was first writing. I said, "Yeah. I always thought I was good." We're not the Beatles or Led Zeppelin or AC/DC. But Helmet always sounded like Helmet, and we sort of developed our own sound. There's a vocabulary that's kind of universal now that's very simple. My friendDavid Sims, [the bassist] in Jesus Lizard, said, "I wish I'd thought of it." When you first hear it, it's like, "Oh duh." But that's cool.
And every now and then people find the bugs, and they interpret those as cool failures in the Sims terms. For them it's like a treasure hunt, you know.
Near that a dusty paint-box, some odd hooks, A half-burnt match, an ivory block, three books, Where conic sections, spherics, logarithms, To great Laplace, from Saunderson and Sims, Lie heaped in their harmonious disarray Of figures,-disentangle them who may.
One time, I think it was my third lesson third or fourth lesson. Kim Parker and he picked me up at the bus station. And she just said, "Phil [Wood] has been up all night. He's heartbroken. Bud Johnson died last night." And Bud Johnson, like Zoot [Sims] and Al [Cohn] had been mentors to him.
I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.
I wanted to be the best in the world and at 12 years-old I won my first big amateur contest called The Gold Cup Series Contest at Marina Del Ray Skatepark. That's when I really started to believe I could turn pro, though it wasn't until two years later when I was 14 that I actually did with Sims.
We sailed to Italy on the Andrea Doria, a year before it sank, and Zoot (Sims) and I played a lot of ping-pong on deck during that trip. Zoot sparked that [Gerry Mulligan's] sextet in an extraordinary way, soloing with joyous abandon and infusing the ensemble parts with his special brand of swing.
Banging techno grooves from the one and only Ben Sims. Around the time of this was written he had that tribal/funky techno sound that rocked the dancefloor. He was a favorite then and still is now.
My most recent project for The Sims Label (2011 – 2012) involved creating detailed Flash mockups exploring game play and UI designs for two potential online versions of The Sims 4 (The Sims Olympus and The Sims Icarus).
Also, after people play these Sim games, it tends to change their perception of the world around them, so they see their city, house or family in a slightly different way after playing.
Because my work discusses feminism and disapproves of feminism, it is important from the leftist standpoint to destroy Dave Sim as an individual and to ignore his work.
Simón Bolívar is the only person in history to be exiled from a country named after him.
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