World Screen is a great resource-the perfect one-stop guide to what matters most in global entertainment.
We've got a national campaign by drug legalizers, in my view, to try and use medicinal uses of drugs and legalization of hemp as a stalking horse to get in under the radar screen.
The great shift... is the movement away from the value-laden languages of... the "humanities," and toward the ostensibly value-neutral languages of the "sciences." This attempt to escape from, or to deny, valuation is... especially important in psychology... and the so-called social sciences. Indeed, one could go so far as to say that the specialized languages of these disciplines serve virtually no other purpose than to conceal valuation behind an ostensibly scientific and therefore nonvaluational semantic screen.
The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.
Richard Burton was Welsh; Tom Jones is Welsh, and we Welshmen like to think of ourselves as heroes - on screen and off!
I guess the biggest lesson would be to have faith in that little part of yourself that knows what it's doing, knows what it wants, knows what you should be doing, even when all the clamour around you is telling you something else. That's the part that you want to keep alive and that's the part that people want to see when they see you on the screen.
Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that."
If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.
Politics is like watching football. Yes, you can see it directly on your screen, but I think a lot of people want to have some understanding of what's happening, why the play is unfolding the way it is, and I think that's where it can help them, not to render judgments but to help people make their own judgments in a more informed way.
I have no desire to write anything for screen. That's a great talent.
The 3-D effects in "Star Wars" are so realistic, you can actually see George Lucas reaching from the screen and taking the money from your wallet.
Everybody is not going to be squeaky clean. All the guys they are giving these marketing endorsement deals are the ones going out there getting in trouble. That is what is really puzzling to me. They will take a chance on the so call good image guy and they are the ones that go out there and screw it all up. You have not seen my face go across the screen for any off the field problems, period.
People like to define you through what they've seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don't sit around thinking, 'I've been a bumbling suitor all my life.'
I'd written personal essays before, but never on this scale -- never so often and with such, er, honesty. (If by honesty I mean slashing my wrists and hemorrhaging all over the computer screen).
It was amazing how these events lost their impact, translated through the flat gaze of a video screen.
I really enjoy it - it's like a videogame on wheels. The GPS touch screen is one of the most entertaining things I've ever seen in a car. I still have a Range Rover that I don't drive much anymore, because I started feeling bad about it.
I suppose that literature as it is won't die, science fiction included. But games are becoming an extremely important part of the science fiction world, including games that are adapted from books (or vice versa: books that are adapted from games). It's wonderful to have the opportunity to play and see your favorite characters on the screen, but the opportunity to read a book does not become less attractive.
in Divorce American style, there was the discomfort of seeing one of the beautiful wasted actresses of the screen, Jean Simmons. Her suggestions of sensibility - what she embodies - were too fine for the world of that movie. Her presence made the movie she was trapped in seem uglier.
All mass movements strive, therefore, to interpose a fact-proof screen between the faithful and the realities of the world. They do this by claiming that the ultimate and absolute truth is already embodied in their doctrine and that there is no truth nor certitude outside it. The facts on which the true believer bases his conclusions must not be derived from his experience or observation but from holy writ.
If you are explaining, you're losing. It's a bumper sticker culture. People have to get it like that, and if they don't, if it takes three seconds to make them understand, you're off their radar screen. Three seconds to understand, or you lose. This is our problem.
One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.
Seventeen years after its intial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.
The visual possibility of seeing the historical person (as opposed to the eternal Qur'anic man) on screen is arguably the single most important event allowing Iranians access to modernity.
Electrical fire and the fire of greed kindle economies. In that flux, nations become digitized commodities on stock-exchange floors and on investors' rating screens. A country becomes a product to be rated for its obedience to paying of deficits and debts.
Remain steadfast in the faith; instruct yourself; bridle your tongue; repress your wrath; forbear to do evil; associate with the good; screen the faults of your neighbour; relieve the poor by your alms; and expect your reward in eternity.
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