I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage.
I have been in my fair share of both onscreen and off screen fights.
Technology has a great advantage in that we are capable of creating dinosaurs and show them on the screen even though they are extinct 65 million years. All of a sudden, we have a fantastic tool that is as good as dreams are.
To me there is no more depressing sight than a five-year-old staring at a screen, unsmiling, mouse in hand. Besides whatever dreadful things this prolonged exposure to screens is doing to their brains, computer games tend to be solitary affairs, and produce little laughter.
Indolence of course is an absolutely crucial part of the creative process: you do not find poets sitting in rows in cavernous word factories, staring at screens. They are rather to be found lolling on the sofa or strolling through the groves, nursing their melancholic temperaments and losing themselves in extended reveries.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.
I actually think Bill Gates is conventionally smarter, even though it's a dumb word, but mental processing power - I've watched him use four different screens, process information, get to the right answer, boom boom boom.
Behind a smoke screen of high-profile female appointees and soothing slogans, George W. Bush is waging war on women.
You can watch a little bit of war from your nice living room - 30 seconds of what's going on in Syria - and when you've had enough, switch over to some celebrity programme. We live our life through screens and images in this way, and we don't know what is real or fake anymore. It doesn't matter.
My first crush was Barry Manilow. He performed on TV and I taped it. When no was around I'd kiss the screen.
Our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different.
My love of computers, besides being practical, is very direct and visceral. I love the way things look on the screen.
But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen.
We made the buttons on the screen look so good you'll want to lick them.
When I'm sitting at the desk not being able to write line one, it's silence and despair! It's not so easy to put the pen to the legal pad or type the first sentence on the computer screen.
The Wright brothers flew right through the smoke screen of impossibility.
I don't kiss on screen. Period.
My life may seem glamorous from the outside but off screen it's as ordinary as anyone else's.
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle.
I'm an athletic actor. I'm known for my action; I'm a guy who does my own stunts on screen.
I want to touch the world through my performances on screen but also off screen.
I remember all too well the premiere of Ecstasy when I watched my bare bottom bounce across the screen and my mother and father sat there in shock.
I spent a long time working in the movies to figure out that kind of acting and also how to write and produce for the screen.
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