There is no way you can get people to believe you on screen if they know who you really are through television.
I haven't always been warmly welcomed for holding my conservative positions in Hollywood. Then again, I've never been very good at being politically correct either, on or off screen. So why start now?
Texting is addicting. Once you get emotionally involved with constant outside stimulation assaulting your brain, it is hard to stop looking at your machine every two minutes. Without rapid fire words appearing on a screen, you feel bored, not part of the action.
My professional acting life, stage and screen, has brought me public support, emotional fulfillment and material comfort. It has brought me together with fine people, good companions with whom I've shared the inevitable lot of all actors: flops and hits.
I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.
What I tell my kids is, I’m preparing you for college and for life. So, having independence, knowing how to set your own boundaries, figuring out how to make that balance. We still have screen time rules.
The thing is, I have a zillion apps, and I'm always looking for the perfect arrangement for them, so scrambling my home screen is part of that eternal quest.
When I heard about the Microsoft Kinect, though, I felt an urgency rising in me. A game you played without touching any machinery? A chance to wave your hands around, Minority-Report style, and move things around on a screen? This sounded like almost too much fun, with gadget-y pizzazz that sounded astonishing.
I love Jennifer Hudson! She is so lovely on screen. She is so buoyant and youthful off screen as much as on.
I like actors who, when you see them on screen, you sense a person, not just an actor.
Plan B is really a little garage band of three people, and our mandate has been to help get difficult material, that might not otherwise get made, to the screen and to work with directors we respect.
I wouldn't like to see a chick of mine taking her clothes off and kissing a fellow on screen. And my girls must get very hurt when they see me doing it.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
There are only so many movies you can direct. And yet there are movies that I want to make sure make it to the screen in as honest a way as possible.
'Green Lantern' I screen-tested for twice. I fought for the role. And I'm glad I did, because I felt like I earned it.
It's tough. It's very tricky to throw a morally flexible character onto the screen and have an audience empathize. It's always an exercise in restraint.
Good music comes out of people playing together, knowing what they want to do and going for it. You have to sweat over it and bug it to death. You can't do it by pushing buttons and watching a TV screen.
On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
I like films where there's a relationship between two women. I always think that's lovely to watch on the screen.
There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.
Whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
Dancing for the length of time that I did, it centered me in such a way to be really in tune with my body, and I just feel like I'm physically able to do things because of my ballet background. Without ballet, I don't think I'd look graceful at all on screen.
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact.
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