Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.
I like Quentin Tarantino, especially the early films, but I'm a big fan of Billy Wilder and Preston Sturges... you know, people were writing great dialogue back then. It's as if people only have the memory of the last 15 years. So, before Tarantino no one was writing witty dialogue? That's ridiculous. Why do we have to keep referring to Tarantino?
Basically, you can't make a pop culture reference now without someone saying it's Tarantino-esque or post-Tarantino and I'm like where's that all come from? It's ridiculous. But it's not his fault.
I'm just a swell guy. No, that's a ridiculous notion - if you're being an asshole to people, you're being an asshole, that's all there is to it. It can't be rationalized because you wrote something worthwhile. First obligation is to other people.
One of the biggest changes in my lifetime, is the phenomenon of men wearing shorts. Men never wore shorts when I was young. This is one of the worst changes, by far. It's disgusting. To have to sit next to grown men on the subway in the summer, and they're wearing shorts? They look ridiculous, like children, and I can't take them seriously. My fashion advice, particularly to men wearing shorts: Ask yourself, 'Could I make a living modeling these shorts?' If the answer is no, then change your clothes. Put on a pair of pants.
I do seem to work in a lot of different mediums, which means it keeps things fresh and sparks interest in me. Fame and fortune is fairly irrelevant to me. It's nice because it gives creative freedom. But just wanting to be famous is ridiculous because it's so vacuous. So, I get offered lots of different things and if they spark my interest, I'll try and do them because they form part of a wider creative circle.
Big ideas don't make them selves known as big. They begin with the little, ridiculous ideas that most people would discard or reject. Every successful picture I've done has really been based on taking a very flimsy, fleeting little idea, grabbing hold of it, and taking it seriously.
I was thinking a lot about myself and my own super inextricably Jewish boy link with my mother. I felt like even a Jewish spy would have this relationship, so yes, I was very much exploring this relationship of boys and their mothers, and Jewish boys and their mothers. Exactly that, the ridiculous lengths that a doting mother will go for her son, and the ridiculous lengths that - I will pretend this is distanced from me - the ridiculous neediness of a grown man for a mother.
You know, compromise can't be a dirty word in American politics. There's plenty to argue about. Trump administration is still talking about ridiculous tax cuts for the wealthiest of the wealthy. That should be resisted with every fiber of our being.
There are people in poverty who, if they have the gumption, say, "I'm leaving here. I'm gonna take three jobs and make it." There are definitely people who do that, and it shapes the rest of their life. And that's almost as unfortunate as someone who says, "Why bother? I'm not even gonna try." There are people consumed by that, and I've been affected by it. It's been a detriment for sure. It was ridiculous, and I don't want to see anyone go through that again. It makes me compassionate, and when I see it, it makes my shoulders tense up, and you remember it.
My own experience with that brief moment where I had videos on MTV was that nothing was ever good enough. When you hear people say, "I was unhappy the whole time," that sounds ridiculous. I think this is a theme among people who seek fame, not just musicians. There are a lot of bitter, disappointed people.
I always expect there to be a new counter-culture coming up, something that would make punk look as ridiculous as punk made the hippies look.
There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.
Our job as directors is to entertain an audience, it's not just to do it for the director. You might as well sit in a white room and look at the movie for the rest of your life - it's ridiculous.
This is something called "walking meditation." The goal is to learn to be aware of each and every movement and feeling. I know it seems ridiculous, but it does change the way you experience walking.
"A good director is one that lets you improv," that's ridiculous. There's some actors who should not be improving and there are some scripts that should not be touched. I think it's just a case by case basis.
Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.
When I was writing my first novel a friend told me I should apply for a grant from the government that was offered to support starving artists. I can't tell you how much this deeply offended me. I told her in very clear language that I thought it was ridiculous to think that other Americans ought to pay for me to chase my dream. Anybody who understands pride and self-determination gets this. So I bartended at night, I wrote during the day, and I paid for my own damn insurance. I didn't expect anybody else to pick it up for me.
When I step back from any moment of crisis that I've ever had, I'm always struck by how humor and tragedy can kind of live in the same moment, holding hands together. How life can go from the ridiculous to the sublime to the tragic all in one breath.
Donald Trump creates word salads. And that is awful to language, because we try to parse out what he's saying and try to find meaning in it. Journalists don't have a choice about reporting what the president says. I find the idea - "Let's not write about his tweets" - to be absolutely ridiculous. I mean, he's the president! Of course, we have to write about his tweets and look at what they mean. The problem is, they're hollow. But we don't have the option of ignoring what he's saying because he's president. That's damaging to language, and to journalism.
Fact-checking is a terrible way to report on Donald Trump's lying . It's like we enter into a dialogue with him. It's as though, he says "A," and we check "A," and it gives it no context. Saying that he's "misstating" is an even worse way of covering it. That's NPR's ridiculous policy of not calling his lies "lies." It's really destructive.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
We pay so much more for the same pill, prescription drugs than other countries. You go to Canada - people go to Canada to buy prescriptions. So we're subsidizing the world in terms of prescription drugs. It's ridiculous. And it's going to stop. The problem I have is these companies give so much - I mean the contributions are massive, just massive, the amount. But we do have - there are a lot of good people that are seeing what's going on. And I think we'll be successful in that. Next week, I'm going to declaring an emergency, national emergency on drugs.
There's such an aggressively apolitical movement in the US that anything that smells of being political - even the term "political" is so ridiculous, when you think about it. The worst part of governing, the political side, is the grossest part, so that's what they call it. So anything that reeks of that immediately gets tuned out by 70 percent of the population.
I am shortsighted. I need glasses for watching movies or concerts. It's not a hipster affectation; I do have poor eyesight. This is how ridiculous my life is: I've had the test for contact lenses, but I haven't found a half-day where I can go to the optician.
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