I remixed a remix, it was back to normal.
My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.
In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.
Every new idea is just a mashup or a remix of one or more previous ideas.
It has become a cliché to announce that 'we live in a remix culture'... What was referred to in post-modern times as quoting, appropriation, and pastiche no longer needs any special name. Now this is simlpy the basic logic of cultural production.
I think remixes give songs more life.
If you remix, people want to tap into your sound. If you keep that to yourself it makes the sound more special.
I like the way remixes sound. Some of them are really creative.
Everything is derivative. Everything is a remix, and we all stand on the shoulders of giants - a great phrase.
My wife cooks. I can't cook. I can remix leftovers pretty good, though.
I'm not going to lie; I'm not a huge remix person.
I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.
I simply remix an artist accommodating the way I wish to see this track. Remixing is entirely personal for me, music is entirely personal for me, and it has to be a natural process.
I'm not stuck strictly doing hip-hop. Songs from the dance/electronic scene are my favorite to make and remix, and I like that world.
Spread and participate in culture. Remix, reuse, use, abuse. Make sure no one controls your mind. Create new systems and technology that circumvent the corruption. Start a religion. Start your own nation, or buy one. Buy a bus. Crush it to pieces.
When you do a remix, obviously you get a beautiful melody, you get the beautiful vocals - everything is already set up. You already have a base, which means all I gotta to do is create the music behind, 'cuz it's already beautiful.
I'm really excited about the remixes. I've always been a fan of electronic music and I'm thinking about that very seriously for the next record as well.
My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.
I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
In one of my songs, in the song on the "Why?" remix that I did with Jadakiss in 2004, I said, "Why is Bush actin' like they tryin' to get Osama? Why don't we impeach him and elect Obama?" This is in 2004 on the "Why?" remix and I said that because I really had belief that Obama was the right person to be president
It's weird that remixes have been associated so much with dance music. I think it's just kind of box-standard to put a beat behind it saying it's a remix.
It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
I started a recording studio. I started producing people and doing remixes.
I think ballads transcend better into my work when I remix something.
I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
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