I'm interested in anyone cutting up music and doing remixes. I just don't think it would work in a live setting right now to do shows with a traditional DJ, but it's something that might happen eventually.
The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.
I'm not denying that in the world there's been some tremendous musical happenings, like DJ Shadow or whatever, that kind of thing. But when it goes into the weird thing where you get a remix done by a certain person because they need a brand name, that's when it becomes really discouraging.
I actually did a remix for Katy Perry, and her management didn't respond.
This is how I understand literature - as a kind of remix or echo chamber. What's going on in a literary work are other literary things disinterred, cannibalized, and recombined.
When I remixed U2's "Even Better Than the Real Thing," that was a big moment and turning point for me. One of my remixes became "the big remix" for them and then I went on tour and was living on the road with them for six months.
I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
Put this in your CD-ROM: www dot Canibus dot com. You can find me on the Internet, talkin' to chicks That was sweatin' me off the 'Music Makes Me High' remix. I be talkin' mad trash, tryin to get 'em to laugh. See, if I click and drag long enough I'll get the ass.
"I'm a new song and you're just a remix."
In HEATHEN, R. Flowers Rivera remixes the classical and the Biblical, the usual and the typical until what we thought we knew of ourselves and others is new again. The mythic becomes particular; the particular becomes mythic in these fascinating poems of personalities and personas. Rivera’s work is rich in empathy and invention. Heathen is a book of psalms for the present day.
Living For Love single and remixes available in UK soon! Sorry you have to wait! Its not my decision or my choice! Thanks for your patience! # rebelheart # livingforlove
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
I had Ice Cube on my first album, "Bunker," and then I did a remix for Snoop Dogg. I've worked with Grandmaster Flash and Pharrell. It's a different work process and there's a different take with how you produce [hip-hop].
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
There are Depeche Mode parties around the world where people listen to our music all night long. The more remixes we can give them, the more interesting those nights have got to be.
I feel like fashion is becoming more inclusive, partly because the industry is finally getting that beauty exists in so many ways, and partly because thanks to Instagram, girls can create their own images, or remix images they're seeing in magazines and fashion shows, in ways that weren't possible before.
I got asked to remix a lot of movie themes, like Mission Impossible, which other people ended up doing quite well. But it was just never my thing.
That's why I'm very wise [in] the way I choose the remixes 'cuz I know that the song has to transcend well. You already have a base, instead of me just doing my own production and I don't have to start from scratch.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes; it just keeps going.
I think the inspiration came from the fans. Whenever I'm online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.
I'm not gone remix a record I don't got no love for.
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