Sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition.
I still have so much gratitude for being part of something so great that is still around 20 years later, played in school and still getting the recognition that it gets. It is shocking, but then like I said, it's timeless so it isn't.
It's a very important process of self-recognition, self-introspection, by just daily accepting our creation, accepting what is right in front of us, breathing, letting go, and coming into the heart space and knowing that that fear or the struggle is part of the illusion. Just breathe that truth, because as you breathe, it filters through and you'll find that that tightness, that intensity, the fear, the worry, will dissolve. Just allow yourself not to get stuck in that.
Perhaps one of the main antidotes to depression, lack of self-esteem, loneliness and so forth is the recognition that we really do have Buddha nature. All the other problems like anger, jealousy, ambitions, are merely habitual patterns that we've learned, but aren't inherent to who we are.
Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
Half the people who snuff people, that's what they want: recognition. Get their picture in the paper.
With the recognition comes additional responsibility, because then we're no longer a one-shot. We're now part of the environment.
[Identity liberalism] is about recognition and self-definition. It's narcissistic. It's isolating. It looks within. And it also makes two contradictory claims on people.
The goal - is the dignity of the black man in America. He wants respect as the human being. He wants recognition as a human being.
If integration will get [black man] that [respect as the human being], all right. If segregation will get him that, all right. If separation will get him that, all right.But after he gets integration and he still doesn't have this dignity and this recognition as a human being, then his problem is still not solved.
It is only the Negro leadership, the bourgeois, hand-picked, handful of Negroes who think that they're going to get some kind of respect, recognition, or protection from the Government.
I have a robust plan to help make quality child care more affordable. It will include an exclusion from taxes of the average amount paid for child care, including a long-overdue recognition of the contributions of parents who stay home to provide care.
Most of our distractions are designed to invite us away from this recognition, which is a good idea.
The Nobel Prize comes from outside, it's a social recognition [reconnaissance] in a way. And I think a true artist is driven by interior necessities.
Recognition, gratefulness exist.[ Speech for the Nobel Prize] is to show that this is what has come from what [Albert Camus] teacher did for him. And also throughout the world there are Monsieur Germains [his old schoolteacher] everywhere. That's why I published the letters, so that he could have a place in the work.
Forget the methods or the differences in methods. As long as we agree that the thing that the Afro-American wants and needs is recognition and respect as a human being.
I mean a real police state just to get a token recognition of a law. It take, it took, I think, 15,000 troops and 6 million dollars to put one negro in the University of Mississippi. That's a police action, police state action.
As an actor you do look for a certain amount of critical acclaim and recognition from your peers and the industry at large. When that recognition comes to you, it's a special moment that you cherish and you always feel successful despite what the box office says.
Emotionally, my ambition is not yet sated. Emotionally, I still feel like a kid at the adult's table, yearning for recognition. I'm not sure where this all comes from but it is how I feel.
As we [with Edward Herman] discuss there [in Manufacturing Consent] and elsewhere, recognition of the importance of "manufacturing consent" has become an ever more central theme in the more free societies.
I felt implicated in American affairs.Outraged at the blatant lies about Iraqs involvement in al Qaeda, at the regimes arrogance and stupidity, Guantnamo Bay and all the rest of it. But the poems at the start of District and Circle Anahorish 1944, The Aerodromearent particularly aimed as criticism. On the contrary, there's a recognition of the big contribution to world order made in Europe during World War II.
Sometimes I wonder how much of these debates have to do with the desire, the legitimate desire, for that history to be recognized. Because there is a psychic power to the recognition that is not satisfied with a universal program, it's not satisfied by the Affordable Care Act, or an expansion of Pell grants, or an expansion of the earned-income tax credit.
Even after I got some recognition and success, I still had to work hard and prove myself.
Stand-up is so rewarding, and I enjoy the acting opportunities I've had, but the only time I really feel bad is when I feel like I have this manufactured belief that I should be doing something else or there should be some type of recognition. On an intellectual level, I know it's stupid.
It is hard to quantify the value of name recognition, but Donald Trump has gone from fame to international mega-fame. That has to be gargantuan when your business is your name.
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