I believe each incoming freshman [in college] must be started at once on his own research project if we are to preserve his secret dream of greatness and make it come true.
You hear people say: "One day, when I'm in a good position I can make my passion project." I've seen a lot of people get into that position and not make it.
Rather than making that a good project, I like to make the kinds of films that children can understand in five minutes what the film is about.
For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
Learning that you have stamina is an excellent thing to know. If a project fails, I know I can pick myself up.
I like to be a team player. All the projects I do are collaborations. And I want to solicit the opinions and help of other people. I'm not interested in being the one in charge.
Money is like a canvas or a shape shifter. It's like whatever you project on that canvas, that's what money is for you. Really, in its essence it's power. Most people relate to money the way they relate to power. They either think other people have it, and they don't and they're mad about it, or they feel fearful of it like having it would be a burden or a responsibility.
To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.
The one word you should forget when you start a new project is the word 'I' - you need to replace that word 'I' with the idea of 'everybody else.
The tighter a deadline is, the more I'm inclined to be perverse and rebellious - I'll start thinking about another, different project, until it becomes the most fantastic thing which I must start immediately.
What I proposed was a computer that would be easy to use, mix text and graphics, and sell for about $1,000. Steve Jobs said that it was a crazy idea, that it would never sell, and we didn't want anything like it. He tried to shoot the project down.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
All projects are different, but you have to treat each one of them with care. Sometimes you get to build a luxury yacht; other times, it'll be a rowboat. You still have to make sure the thing doesn't spring a leak.
God build’s God’s kingdom. But God ordered this world in such a way that His own work within that world takes place through the human beings that reflect His image. That is central to the notion of being made in God’s image. He has enlisted us to act as His stewards in the project of creation. So the objection about us trying to build God’s kingdom by our own efforts, though it seems humble and pious, can actually be a way of hiding from responsibility, of keeping one’s head well down when the boss is looking for volunteers.
Try to remember this: what you project Is what you will perceive; what you perceive With any passion, be it love or terror, May take on whims and powers of its own. Therefore a numb and grudging circumspection Will serve you best - unless you overdo it, Watching your step too narrowly, refusing To specify a world, shrinking your purview To a tight vision of your inching shoes, Which may, as soon as you come to think, be crossing An unseen gorge upon a rotten trestle.
With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
In the face of nature's overwhelming forces, humans needed a God who would protect them from harm. When they felt that they had broken the law or committed wrongdoing, people turned to a God who would judge them on the one hand and redeem their sins on the other. In this way, purely from slef-interest, the project of creating God in our own image proceeded--and continues to proceed.
For example: (1) As if governed by Newton's First Law of Motion, an institution will resist any change in its current direction; (2) Just as work expands to fill available time, corporate projects or acquisitions will materialize to soak up available funds; (3) Any business craving of the leader, however foolish, will be quickly supported by detailed rate-of-return and strategic studies prepared by his troops; and (4) The behavior of peer companies, whether they are expanding, acquiring, setting executive compensation or whatever, will be mindlessly imitated.
I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
We say that we often see animals in our dreams, but we forget that almost always we are ourselves animals therein, deprived of that reasoning power which projects upon things the light of certainty; on the contrary we bring to bear on the spectacle of life only a dubious vision, extinguished anew every moment by oblivion, the former reality fading before that which follows it as one projection of a magic lantern fades before the next as we change the slide.
Let but a single flash of reality -- the glimpse of a woman from afar or from behind -- enable us to project the image of Beauty before our eyes, and we imagine that we have recognised it, our hearts beat, and we will always remain half-persuaded that it was She, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake.
For Immanuel Kant, the term anthropology embraced all the human sciences, and laid the foundation of familiar knowledge we need, to build solidly grounded ideas about the moral and political demands of human life. Margaret Mead saw mid-twentieth-century anthropology as engaged in a project no less ambitious than Kant's own, and her Terry Lectures on Continuities in Cultural Evolution provide an excellent point to enter into her reflections.
I have seen something of the project of M. de St. Pierre, for maintaining a perpetual peace in Europe. I am reminded of a device in a cemetery, with the words: Pax perpetua ; for the dead do not fight any longer: but the living are of another humor; and the most powerful do not respect tribunals at all.
In fact, my main conclusion after spending ten years of my life working on the TEX project is that software is hard. It's harder than anything else I've ever had to do.
It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life? To learn the art of remaining motionless amid the agitation of the whirlwind, to learn to remain still and to be as transparent as this fixed light amid the frantic branches this may be a program for life.
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