It's everyday for a woman to project a very strong wave of sexual energy through her second attention into a man, for him to assume that the energy he feels is his own.
Where do these images comes from and where do they return? What is it that projects these images? How is it that we are the screen? How is it that we have forgotten that we are the Self and that nothing but the Self exists?
I think painting has that unique potential to project opposing viewpoints.
On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
I've definitely enjoyed myself more on the projects where I've played a good person, rather than on the projects where I've played somebody who is morally compromised.
I do have aspirations when it comes to directing, I suppose, but in a sort of a vague way. It would probably come about if I found a project that I really felt passionate about.
One of the most important things for a country, particularly when it's seeking to attract long-term capital in big risky projects that are going to have a payback over many years if not decades, is to be seen as being a predictable environment where tax changes will be few. But if they are going to come about they'll come about in a way that you know is predictable, understandable.
I have no idea what the next project will be and if there's a next project. I don't even know if we're all going to be here tomorrow, but I'm pretty optimistic.
I've had production offers with artists I really admire, and oftentimes that doesn't work out. Sometimes it does, but... For instance I was asked if I wanted to do a Talking Heads album back in the late '70s, early '80s, and I was already working on a different project and didn't have time, so I never got the opportunity to work with them.
I try to write things that can't be made into movies. My novels have thwarted many attempts to film them and I think that was true of the essay, too. If you'd actually tried to be true to the essay, it would have been, perhaps, boring. So taking that narrow little cast of characters and expanding it out, that was what was exciting about the project for me.
I'm living in the moment. I just try to move each of the stories, scripts and projects that I work on forward. And when they're ready and the people are ready to make them, we'll do that.
The only way I can work is if I care and am passionate about a project, so the challenge is to find projects that I feel that way about.
One thing I've found that's really helpful in our relationship is that she's [Anna Faris] very normal. And I don't mean ordinary - I mean, she doesn't act like a big star or a comic icon or anything like that. She's really down-to-earth and sweet, and we do talk about comedy, about movies, about our careers and possible projects.
Being an actor, when you sign onto a project - whether it's good, bad, or indifferent - you kind of fall in love with it. You fall in love with the experience, you fall in love with the memories.
I'm interested in how we define things by how we choose to observe them, and how everywhere in our lives, and in every moment we experience, there are forces at work that we don't fully understand. Couple this curiosity with a love of portraiture painting, and that's how this project was born.
Help along one another's projects and plans.
I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
I know I draw without taking my pen off the page. I just keep going, and that my drawings I think of them as scribbles. I don't think they mean anything to anybody except to me, and then at the end of the day, the end of the project, they wheel out these little drawings and they're damn close to what the finished building is and it's the drawing.
When I’m Chad from Nickelback, then I have to wear one hat and I have to wear various others when I’m Chad Kroeger who is co-owner of 604 Records or someone who’s working on an independent project. At that point I want to know where the record is getting licensed, as well as absolutely every aspect of how we’re going to deliver a song to the public and how we’ll all get paid for doing so.
I believe that if creative people are open and generous enough when working with each other, a lot more can be learned and achieved by both parties. That's what it's all about, trying to produce the best work possible on any given project.
I enjoy being given a certain amount of freedom in order to interpret or to come up with stuff, but I do enjoy collaboration. I seek and thrive on projects where I am going to learn from the people I'm working with.
With my union project in my hand, from town to town, from one end of France to the other, to talk to the workers who do not know how to read and to those who do not have the time to read....I will go find them in their workshops; in their garrets and even, if needed, in their taverns, and there, face to face with their poverty, I will compel them, in spite of themselves, to escape from this frightful poverty which is degrading and killing them.
If the most important thing for your project is to put on a circus, then you have less chance of winning things.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: