We live in the postmodern world, where everything is possible and almost nothing is certain.
A work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but in the nascent state, and this state is constant.
The postmodern reply to the modern consists of recognizing that the past, since it cannot really be destroyed, because its destruction leads to silence, must be revisited: but with irony, not innocently. I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows he cannot say to her, I love you madly, because he knows that she knows (and that she knows that he knows) that these words have already been written by Barbara Cartland. Still, there is a solution. He can say, As Barbara Cartland would put it, I love you madly.
The postmodern worldview denies that there is such a thing as truth: historical, moral, or otherwise. It denies that truth exists independently of our perspectives and interests.
Mystery Science Theater is really a postmodern show, it's really derived of many influences.
I understand that postmodern literature probably means people like DeLillo, The Fiction Collective, but I don't get it that those writers are really influenced by postmodern theorists.
The Chavez-Obama pictures will join a postmodern photo array that includes Donald Rumsfeld gifting Saddam Hussein with spurs from President Reagan.
This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.
Post-modernism is modernism with the optimism taken out.
The biggest problem facing our world today is a lack of hope and a lack of meaning. [It's] basically just a postmodern world in which there is no right or wrong, no better or worse.
Postmodernism surely requires an even greater grasp of symbolism, as it's increasingly an art of gesture alone.
Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism's high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
Whereas modern cynicism brought despair about the ability of the human species to realize laudable ideals, postmodern cynicism doesn't — not because it's optimistic, but because it can't take ideals seriously in the first place. The prevailing attitude is Absurdism. A postmodern magazine may be irreverent, but not bitterly irreverent, for it's not purposefully irreverent; its aim is indiscriminate, because everyone is equally ridiculous. And anyway, there's no moral basis for passing judgment. Just sit back and enjoy the show.
Simplifying to the extreme, I define postmodern as incredulity toward metanarratives.
Don't you give me that postmodern bullshit. There is truth, There is a truth. And what you want, or you feel, or you need, isn't going to change the truth. Any more than it's going to topple a skyscraper. There's truth, and there's belief. Don't call a mule a stallion.
Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really “need” anything new, so we only create what we want.
In our postmodern culture which is TV dominated, image sensitive, and morally vacuous, personality is everything and character is increasingly irrelevant.
You are born modern, you do not become so.
If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.
Postmodernism is an academic theory, originating in academia with an academic elite, not in the world of women and men, where feminist theory is rooted.
Postmodernism cost literature its audience.
Without a thorough and deeply rooted understanding of the biblical view of truth as revealed, objective, absolute, universal, eternally engaging, antithetical and exclusive, unified and systematic, and as an end in itself, the Christian response to postmodernism will be muted by the surrounding culture or will make illicit compromises with the truth-impoverished spirit of the age. The good news is that truth is still truth, that it provides a backbone for witness and ministry in postmodern times, and that God's truth will never fail.
Postmodernism represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
Postmodernism is among other things a sick joke at the expense of... revolutionary avant-gardism.
It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did.
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