To the extent that we live in a postmodern world and it shapes the concrete circumstances of our daily lives, I would say postmodernism affects my work or influences my work.
Feudal Europe is over, but it found its way into film culture. It found its way into postmodern painting culture, and we're all here talking about it today. It still lives. I don't believe in ghosts, but these are contemporary ghosts.
Our culture is becoming more hostile to the gospel. This trend may be more established in Australia than in the USA, but it's now certainly the case that the postmodern mindset is dominant, particularly in the media. Therefore, when we start speaking in terms of certainties, we sound scary to other people.
It seems that the Internet is setting the standard for almost everything. I can't imagine having something like punk rock happen where an entire culture is doing one thing. It's not like all the kids in England are discovering the Stooges and the Ramones at the same time. All the kids in England are discovering every band that has ever existed. I can't imagine there being one huge cultural moment like there was in the past. Everything ends up being kind of postmodern.
The subject of feminism cannot be purely a fiction, as some postmodern writers suggest, produced by the discourses of power.
We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.
Architects thrive after massive urban disasters. The abject collapse of East Berlin gave us the only city in Europe with a mighty host of Postmodern skyscrapers.
I love the fact that I can go to a museum now that tells me I'm in the postmodern age.
There are also two Christianities in the world today. There is (1) the Christianity of the New Testament, and there is (2) the Christianity of accommodation to modernism, egalitarianism, niceness, naturalism, pop psychology, secular humanism, relativism, subjectivism, individualism, "Enlightenment" rationalism or postmodern irrationalism. New converts to the first Christianity are constantly amazed and scandalized by finding many of their clergy to be in love with the second and in fear of the first.
Packed with fascinating personal perspective and testimony, Michael Takiffs A Complicated Man wholly justifies its title. The book is far more than a kaleidoscopic oral biography of President Bill Clinton. Aspect by aspect, it guides us through the struggles of postmodern America, as the most ambitious baby boomer of his generation seeks to modernize the Democratic Party-and, as in a Greek drama, is fated to be destroyed. Veritably, an all-American saga, with a cast of thousands-favorable and unfavorable.
Postmodern comedy doesn't work well with very old audiences, because it's making fun of the comedy they enjoy.
In that sense, Obama is America's first postmodern president. If his predecessors tended to see the world in terms of good and evil, Obama sees the world in terms of victims and victimizers - with the United States often in the role of victimizer. In that view, long favored by the academic left that shaped a young Barack Obama, American foreign policy is one long train of abuses, marked by casual aggression and eager imperiousness.
Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.
[Postmodern photography] implies the exhaustion of the image universe: it suggests that a photographer can find more than enough images already existing in the world without the bother of making new ones.
Listen - God only exists in people's minds. Especially in Japan, God's always been kind of a flexible concept. Look at what happened after the war. Douglas MacArthur ordered the divine emperor to quit being God, and he did, making a speech saying he was just an ordinary person. So after 1946 he wasn't God anymore. That's what Japanese gods are like--they can be tweaked and adjusted. Some American comping on a cheap pipe gives the order and presto change-o--God's no longer God. A very postmodern kind of thing. If you think God's there, He is. If you don't, He isn't.
As a cosmion incarnating the cells of a new body, New Lights will function as transitional vessels through which transforming energy can renew the divine image in the world, moving postmoderns from one state of embodiment to another.
I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.
The larger the price tag, the more you have to adopt what I call the postmodern management approach. What I mean by that is that you have to use everything when you make a decision.
In 1979, postmodernism lost its understanding of the meaning of ornament. It degenerated into kitsch applique.
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