I am primarily an oil painter and a studio painter, so originally I was going to do an oil painting.
Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.
Does it bother me that some people are burning their own System CDs and taking money out of my pocket? Not really. This has always been about putting the best possible version of the song in the fans hands. It was like selling an artist's painting before he had finished it.
If you're stuck in a painting, then stop and draw something else. Draw a flower and put your love into that flower. Then your powers will come back again.
When they're looking at my work, they're looking at a painting and they're able to accept it better because it is also a quilt.
The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.
If you can really accept the fact that every time you think a thought and every time you speak a word you are literally painting your future or making your dinner - whatever you want to call it - you are creating ... and you are creating your own life.
I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.
The paintings live because their creator has been passionately attentive to their theme, and his attention has left something for us to look at. It seems a sort of miracle.
My painting is visible images that conceal nothing... they evoke mystery. Mystery means nothing. It is unknowable.
I begin painting and as I paint the picture begins to assert itself, or suggest itself, under my brush. The form becomes a sign for a woman or a bird as I work... The first stage is free, unconscious... the second stage is carefully calculated.
Once there were 'outside' and 'inside' paintings-now there is no difference.
Painting must be fertile. It must give birth to a world.. ..it must fertilize the imagination.
Who among us has not gazed thoughtfully and patiently at a painting of Jackson Pollock and thought "What a piece of crap?"
It is better to have a good painting with ten holes than ten bad paintings without any holes.
As soon as I put my foot on Indian soil, my painting underwent a change not only in subject and spirit but in technique.
As a child growing up among artists I learned to think of a picture not as a finished product exposed for the admiration of the virtuosi, but as the visible record, lying about the house, of an attempt to solve a definite problem in painting.
The media ... is like an oil painting. Close up, it looks like nothing on Earth. Stand back and you get the drift.
A painting is music you can see and music is a painting you can hear.
The frame is the pimp of painting; it enhances it, but it must never shine at the painting's expense.
Apart from painting and gardening, I'm not good at anything.
The real people who hold our civilization together are the maintenance people. If it weren't for them - pumping water out of subways, painting bridges to keep from rusting, fixing a steam pipe that is 70 years old - we'd be sunk. If we got rid of all the politicians and the policymakers in the world, the world would keep going. If you get rid of maintenance people, the whole thing breaks down.
If you don't have any money and you want to make a horror movie, take a six-inch wide brush for house painting and dip that in a bucket of blood, and then just flick your wrist. You'll get this great speckled splash of blood, and it will cost you nothing.
Did I want to spend all my time working on a painting? No, I wanted to have fun, travel, meet women and live life.
I respect journalism. I was always very aware of journalism from a very broad point of view, but I'd say my baptism by fire was doing the Donald Margulies play Time Stands Still. That for me was a real education because I spent a lot of time with some incredible journalists, war reporters particularly - Bob Woodruff, Dexter Filkins - people who were very helpful in painting the picture for me and reading the accounts of people and what they experienced, a lot of PTSD.
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