To see we must forget the name of the thing we are looking at.
The light constantly changes, and that alters the atmosphere and beauty of things every minute.
Light is the most important person in the picture.
Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
I must have flowers, always, and always.
For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.
It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.
Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.
All I did was to look at what the universe showed me, to let my brush bear witness to it.
Paint what you really see, not what you think you ought to see; not the object isolated as in a test tube, but the object enveloped in sunlight and atmosphere, with the blue dome of Heaven reflected in the shadows.
The real subject of every painting is light.
It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
When you go out to paint, try to forget what objects you have before you - a tree, house, a field....Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naive impression of the scene before you.
I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.
I would like to paint the way a bird sings.
I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.
Everything changes, even stone.
It is better to have done something than to have been someone.
The richness I achieve comes from nature, the source of my inspiration.
Critic asks: 'And what, sir, is the subject matter of that painting?' - 'The subject matter, my dear good fellow, is the light.
Listening only to my instincts, I discovered superb things.
My garden is my most beautiful masterpiece
My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
These landscapes of water and reflection have become an obsession.
What I need most of all is color, always, always.
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