I've spent so long on some paintings that I no longer know what to think of them, and I am definitely getting harder to please; nothing satisfies me.
I'm quite content: although what I'm doing is far from being as I should like, I am complemented often enough all the same.
It goes without saying that I will do anything at any price to pull myself out of a situation like this [rejection] so that I can start work immediately on my next Salon picture and ensure that such a thing should not happen again.
I've always refused requests even from friends to employ a technique I know nothing about.
I am pleased with the exhibition... everything on display was sold for a good price to decent people. It has been a long time since I believed that you could educate public taste.
My rejection at the Salon brought an end to my hesitation [to settle in Paris] since after this failure I can no longer claim to cope... alas, that fatal rejection has virtually taken the bread out of my mouth.
I get madder and madder on giving back what I feel.
I'm not lacking for enthusiasm as you can see, given that I have something like 65 canvases covered with paint and I'll be needing more since the place is quite out of the ordinary; so I'm going to order some more canvases.
I have once more taken up things that can't be done: water with grasses weaving on the bottom. But I'm always tackling that sort of thing!
It would be a very bad idea... to exhibit even a small number of this new series, as the whole effect can only be achieved from an exhibition of the entire group.
I do have a dream, a tableau of the bathing place of La Grenouillère, for which I've done some bad pochades (sketches), but it is a dream. Renoir, who have just spent a couple of months here, also wants to paint this subject.
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