I'm not ashamed of being a bubbly, funny person. I think that's as valid as being the dark, brooding, tortured Oscar-nominated one.
When I won the Oscar, there was something telling me 'this isn't the truth'. I had to get back to real work.
I really don't think that the Oscar changed my career much because I didn't want it to.
I've never been to the Oscars, but if I was ever invited to the Oscars, I would have this weird paranoia of terrorism. It just feels like The Poseidon Adventure, everyone in their tuxes. Somehow, I feel like the whole time I would be looking for where the nearest exit was, and in a cold sweat about some kind of man-made disaster, like a terrorist strike or something. It seems like such a scary, claustrophobic proposition.
When I was young, we thought that Oscar Wilde was a great nobleman who had thrown his life away for love. Nothing could be less true. He slept with East Enders who were procured for him by Lord Alfred Douglas. He knew them only 'in Braille' - the curtains were never drawn back in the rooms in Oxford where he met those boys. It was the most sordid life you can imagine. And he was bleating about love and dragging the fair name of Mr. Plato into the trial - after a life like that?
I never watched the Oscars. Come on, it's a fashion show . . . What straight black man sits there and watches the Oscars? Show me one. And they don't recognize comedy, and you don't see a lot of black people nominated, so why should I watch it?
I have no regard for that kind of ceremony. I just don't think they know what they're doing. When you see who wins those things-or who doesn't win them-you can see how meaningless this Oscar thing is.
Well, I'm certainly glad that I was nominated for an Oscar. There is certainly a respect that comes with that nod. Also, a compliment that comes with it, too. Not that I really know what I'm doing. In a lot of ways I feel like some child on set, or like a kid that snuck in the back door.
If there weren't blacks, Jews and gays, there would no Oscars. Or anyone named Oscar, if you think about that.
It surprised me, the feeling I got when I won the Oscar for 'Scent of a Woman.' It was a new feeling. I'd never felt it. I don't see my Oscar much now. But when I first got it, there was a feeling for weeks afterward that I guess is akin to winning a gold medal in the Olympics.
Oscar Hammerstein was a surrogate father. I liked my father a lot, he was a swell fellow, but I didn’t see him very often because my mother was bitter about him and did everything she could to prevent me from seeing him.
'The English Patient' was a huge turning point in my career and my life; it became this huge thing. But the whole Oscar build-up got completely out of control; I spent more time talking about that film than I spent making it!
I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.
When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol.
When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol. So, a movie like 'The Artist' that costs $14 million, has to go out and compete with movies that cost $140 million. How does David deal with Goliath?
Because I think in order to get famous you have to be known for something. Like 'You're the romantic comedy girl' or 'You're the Oscar-winning whatever girl.'
When Oscar Niemeyer died on December 5, 2012, ten days before his 105th birthday, he was universally regarded as the very last of the twentieth century's major architectural masters, an astonishing survivor whose most famous accomplishment, Brasilia, was the climactic episode of utopian High Modern urbanism.
As happens with people who love a thing too much, it destroys them. Oscar Wilde said, 'You destroy the thing that you love.' It's the other way around. What you love destroys you.
Most of an award-show host's job is showing up and keeping a cool head and soldiering through it, whether it's the Oscars or the Hallmark Channel's 'Hero Dog Awards.'
If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
To go to the Oscars for 'Moneyball' - that was pretty amazing.
I have a pet lizard named Puff, five goldfish - named Pinky, Brain, Jowels, Pearl and Sandy, an oscar fish named Chef, two pacus, an albino African frog named Whitey, a bonsai tree, four Venus flytraps, a fruit fly farm and sea monkeys.
As a soccer player, I wanted an FA Cup winner's medal. As an actor you want an Oscar. As a chef it's three-Michelin's stars, there's no greater than that. So pushing yourself to the extreme creates a lot of pressure and a lot of excitement, and more importantly, it shows on the plate.
I absolutely love Oscar. So classic. So timeless.
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