I'm very musically inclined. My parents were opera singers. As a young child, I could hear operas and I knew if they were sad, or if they reminded me of something, or they brought back a memory.
I have the greatest fans. I have fans that come from soap opera world, I have fans that come from superhero world, which are a whole different section of fans. They're so cool.
The problem with Maigret is he hasn't got a limp, and he hasn't got a lisp, and he hasn't got a French accent, or a particular love of opera... or all those other things that people tend to attach to many fictional detectives. He's just an ordinary guy doing an extraordinary job, in a very interesting time.
My dad became a soap opera actor, and I was an extra in a skating rink scene on the soap. I didn't audition. It was nepotism all the way.
The most important part of a city is its people. In fact, people for me are like little cities. When you meet someone, it's like you've found a new city to explore. You take a tram, visit the museums and operas and cafes.
I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.
The Holocaust is not a cheap soap opera. The Holocaust is not a romantic novel. It is something else.
That's why we began calling it the daily soap opera, or it's just the place on radio and TV where Democrat Party agenda is advanced. But it isn't media.
I would rather stare at the wall for half an hour than watch an episode of any of the 53,801 Australian soap operas now cluttering up UK TV.
I like the idea that [Mahatma] Gandhi is appearing now in an opera hall in all these different places, and people kind of think about it again.
It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.
Satyagraha is an opera which I wrote for the Netherlands Opera, so it uses an orchestra of around fifty, a chorus of forty, and there are about seven soloists. The opera ... Satyagraha means truthful, so it was a name [Mahatma] Gandhi used to describe his civil disobedience movement.
When I was a teenager, I dreamed of being an opera singer like Maria Callas or a jazz singer like June Christy or Chris Connor, or approaching songs with the kind of mystical lethargy of Billie Holiday, or championing the downtrodden like Lotte Lenya. But I never dreamed of singing in a rock-and-roll band.
I've done a lot of operas. I've probably done more different kind of operas than anybody.
I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
And my singing, I don't think I could sing Wagner or opera, but I could probably carry a tune. I was in a musical once, but it was never performed.
After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
I want to carve out a serious period of time to focus on the next opera without any distractions. And to do that you need money.
I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.
Premiering a new opera is probably one of the hardest things in the world to do, and opening nights of any opera are always pretty stressful.
Crazy as it sounds, I'm a believer in destiny and serendipity, and I have had cosmic experiences all my life. Something told me I was meant for greater stuff. And look, I've had a baby! And I've written an opera!
For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.
I became a set designer for opera.
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