We need to identify the least effective or ineffective teachers and for those people we need to either quickly accelerate their practice or move them out of the profession. That's what I believe and quite frankly I have never met anybody at least to my face who said they disagree with that notion.
The continual linking of the notions of terrorist and terrorism with Muslims and the Middle East is, essentially, an act of propaganda that cannot help but promote "Islamophobia."
What is "credibility"? It's a very familiar notion. It's basically the notion that is central to the Mafia. So suppose say the Godfather produces some kind of edict and says you're going to have to pay protection money.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
A huge amount of what feminists are fighting for would have major positive impact for men as well as women. Take the male suicide rate, for example. In part, the problem arises from the idea that men are tough and manly, that 'boys don't cry' and it's embarrassing for them to talk about their feelings. So men are less likely to reach out for help and support with mental health issues. But that gender stereotype, which exists alongside the converse notion that women are over-emotional, 'hysterical', or 'hormonal', is one feminists are fighting hard to debunk.
Two World Wars are sufficient and we are the ones who supported this notion of a united Europe, so there would never be another set of civil wars in Europe again, ever. That was a fabulous success. It was so fabulous that people now take it for granted.
We`re a little bit low in the 1970s, right, post-Vietnam, Watergate era, malaise, all that, but this is more like the 1930s where the very notion of liberal democracy is being questioned, and that is disturbing.
When I started in this [music] business, I had a dream, but it was amorphous, and I had no experience. I just had a fuzzy notion of what life would be like if I became what I pictured.
When I started to get disillusioned with psychoanalysis I reread philosophy and was reminded of the constructivist notion that Epictetus had proposed 2,000 years ago: "People are disturbed not by events that happen to them, but by their view of them." I could see how that applied to many of my clients.
What is conserved in the ground? Stone, bronze, ivory, bone, sometimes pottery. Never wood objects, no fabric or skins. That completely skews our notions about primitive man.
The notion - and I tell you this one even worries me that it extends into New Urbanism - the notion of the shopping center [as] a valid kind of downtown. That's taken over. It's very hard for architects of this generation even to think in terms of a downtown or a center that is owned by all different people, with different ideas.
The notion that you could discard the old world and now make a new one. This is what was so bad about Modernism.
The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
As George Bernard Shaw observed: "All great truths begin as blasphemies." Yet I have to say, the idea that there is intelligent life elsewhere in the cosmos does not seem terribly radical to me, nor does the notion that we could be receiving help from outside of our dimension.
I sometimes talk to people who think I got published because I was an editor, or because I was an agent, and I have to disabuse them of that notion. It wasn't because of my emplacement within the industry. Actually the writing came first, and the publishing came first as well.
You have to decide in advance whether you're ready go to war. If you guys are ready to send a million troops into Ukraine and fight World War III, you're going to do it without my support because I think that's a really foolish notion.
There's this notion that Republicans are the party of Jesus and the Democrats are the Godless party. Let's be clear for a minute. One party wants to give health insurance to the poor and the weak and the dispossessed, and one party wants to take away that health insurance and give tax breaks to rich people. You tell me: which side would Jesus fall on that argument?
To this day, at my relatively advanced age, I still don't have a place I can really call home. I've never bought property. I just move between temporary base camps. I know that the very notion of home, of having a family or community, is a hard one for me to embrace.
I think America the symbol and America the notion are still very different from America the nation. What's touching and almost regenerative is that whatever is happening in the reality of America, where there is a murder rate worse than Lebanon's and where there is so much homelessness and poverty, still America will be a shorthand throughout the world for everything that is young and modern and free.
I grew up with the idealistic notion that writing and literature were noble causes. I had no inkling, no sense of what I would eventually encounter in terms of people who weren't being sincere. I'm not saying that it happens always or a lot, but it happens enough that sometimes it makes me feel a little queasy.
Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.
Art as a political gesture is committed to making something beautiful, and then understanding what beauty is in your own time, because what we think of as beauty changes with time. The notion of beauty everywhere changes.
To understand something changing form as a destructive act is a very modern, Western gut reaction to things, and I get it. But what I'm suggesting is nothing radical, this notion of things constantly changing, and that the change is not inherently destructive.
Populism in contemporary art can become a dirty word. There is this notion that to not be understood is a reflection of depth. I'm sure this is true in some cases, but on the whole I can't accept this as a vision of art. There's something so cynical about assuming your audience is unintelligent or that artists shouldn't care about their viewers.
I have privileges even in comparison to a Palestinian Israeli because Palestinian Israelis who live permanently in Ramallah risk their status, not as citizens but as residents. They might lose their social rights if they move to Ramallah. But I won't, so I live with privileges. That notion is very difficult for me as a child who was raised in a left-wing family, a family of people who suffered discrimination as Jews abroad. The notion that I am so privileged is disgusting. But this is what it means to live in a white society. You are white, so you are privileged.
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