I'm one of the few Black writers, or African American writers, who managed to work my way through the system so that it has allowed me to speak in a kind of free way. But most African American writers don't have that. They don't have that opportunity, they don't have that.
I love to read, and so I've been reading everything I can, not intensely, but I love to read so I read "Origin of Species" by Darwin and I can't make head or tail of E=MC squared by Einstein, but I try to baffle my way through that.
For my birthday, I would ask for a ticket from my mother. Just buy me a ticket to said country and I'll just find my way through. And that's what I always did. I never changed too much of that.
My father was a very good amateur pianist, and he had a collection of books on technique. One of the things he had was a small volume of exercises by Rudolf Ganz, in which Ganz mentions the pedagogical work of the Swiss composer, Émile-Robert Blanchet, who wrote a ton of polyphonic exercises for one-hand. These exercises were a great help for finger independence, which I acquired early on. This might have given me somewhat of an edge, a facility to be able to knock any obstacle that was in my way.
That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.
I went to college on my way to be a lawyer. That's all I wanted to do was go back home and help my daddy. I thought we were poor because he was not a good businessman and I was going to become the lawyer who would take charge of the business.
I don't actually like people. I'm a loner and if I had my way I'd just walk my dogs every day, never talk to anyone and then die.
I came hither [Craigenputtoch] solely with the design to simplify my way of life and to secure the independence through which I could be enabled to remain true to myself.
As for your high towers and monuments, there was a crazy fellow once in this town who undertook to dig through to China, and he got so far that, as he said, he heard the Chinese pots and kettles rattle; but I think that I shall not go out of my way to admire the hole which he made.
I don't go out of my way to be outrageous, I just go out of my way to look at things.
One can become quite used to the specter of the eternal Footman, like some lethal old bore lurking in the hallway at the end of the evening, hoping for the chance to have a word. And I don't so much object to his holding my coat in that marked manner, as if mutely reminding me that it's time to be on my way. No, it's the snickering that gets me down.
I see myself as an instrument of the Almighty and go on my way, regardless of transient opinions and views.
I have never let gender get in my way.
I am opposed to textbooks... I find it hateful to give a course where I have to plough my way through chapter after chapter of a given book. The liveliness of the lecture, which is meant to give an impetus to the sudents, would suffer tremendously.
Sufferings, adversities, humiliations, failures and suspicions that have come my way are splinters that keep alive the fire of my love for You, O Jesus.
I will make a battering-ram of my head and make my way through this rough and tumble world.
It is an immense privilege to be able to play in the NHL. I was very blessed and a lot of things went my way to be able to make it.
It's good fun to create an unpredictable character. When he comes into the room, I don't know what he's going to do - I have to find my way.
Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
I think some people feel that if you are going to have 3D, then you have to shoot in 3D, but they shoot 3D, so of course they're going to say 'my way of doing a film is better.' I'm not telling anyone how they should do their film, so why should anyone tell me how I should do mine?
When I saw The Matrix and other movies of this type, I wished I had been given the opportunity to express myself with all this technology and do something sort of big in scale, but the right material never really came my way.
I've changed my ways - from what roles I was picking till now. I don't do straight "faith" movies. It's one thing I always tell people. I'm not a preacher, I'm a sinner. I'm still learning and falling in a journey that God has me on and doing the best I can.
My husband makes fun of me, because I know I can use strong prose to jazz-hand my way through plot that isn't as interesting as I'd like it to be.
The show definitely has a romantic construct, and that's a genre that I've never had access to, in a significant way. This interesting for me to see, as an Asian guy, just standing back. I just wanted to break my way into a different genre. I was tickled that it was offered to me.
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