Obviously I've gone out of my way in my career to not look good, so it's always nice to, every once in a while, get the opposite going.
I don't call cut between the takes - it's my way to help the actor keep focused. As soon as you say 'cut' you have 10 people jumping on them and everybody's trying to do a great job, and they do, but sometimes they forget that the more important thing is the performance, creating the performance.
My way of dealing with the world has always been to make fun of it and observe it but not take part in it.That's how I became a writer. But when you have kids, suddenly you have to be part of things. It leads almost to a breakdown because your whole defense mechanism is now really destructive.
I'm just not a private person. It's not like I do things because I want things to be public; it's just that's my way of expressing myself, and I happen to be very famous.
When I first began to combine letters other than Hebrew, I read every book in German that came my way, and from these I certainly received according to the nature of my soul.
Everybody's got to do something... I'd been on my own since an early age and I thought I better find something to do to buy biscuits and stuff. From high school onwards I was earning my way with photography, one way or another, working in darkrooms and taking pictures of weddings, neighbors' children and so on.
Being a pessimist is just such a gloomy way of looking at things, so I have to hope for the best - life wouldn't be worth living if we didn't have hope. And I also do think that human beings often do do wonderful, correct, brilliant things. So, on balance, I'd like to be optimistic about the future.
My plan is to make the best of whatever comes my way.
To me, curiosity is married to optimism. And that's where a lot of my motivation comes from. A lot of my way out of depression and anxiety is that intersection between optimism and curiosity. Because it means taking a step forward with the hope that there will be discovery.
Your body is the ground metaphor of your life, the expression of your existence... So many of us are not in our bodies, really at home and vibrantly present there. Nor are we in touch with the basic rhythms that constitute our bodily life. We live outside ourselves - in our heads, our memories, our longings - absentee landlords of our own estate. My way back into life was ecstatic dance. I reentered my body by learning to move my self, to dance my own dance from the inside out, not the outside in.
I'll co-host TODAY from Los Angeles Saturday morning and then make my way up to Merced for that evening's graduation ceremony. I'm still touching up my remarks, but my challenge to the Class of 2010 will be to break through the deafening and too often negative echo chamber of the digital era and become critical and independent thinkers.
I wasn't born with a silver spoon in my mouth; I came from really humble beginnings - the projects of New York City - and I worked my way to get to where I am.
When I discovered PopTech and other kind of intellectualish, online portals for curiosity. Very quickly, I just got so much more out of those than from so-called "Ivy League" education that I knew it was on me to keep myself stimulated, and to keep learning, more than anything. And, because I paid my way through college, I was working at Penn, two to four jobs at a time to pay for school.
There will come a time when nobody reads my books and no one remembers who I was. And in the meantime, I'll do it my way.
I went out and started on my way up in television. I wrote music, I wrote books, I played an instrument half-ass. I would always have liked to play in a band. I would always have liked to be a substantial writer, to write country music for big singers. I had all sorts of proclivities, but I never had any big success.
I think my way of being "funny" is just saying things that people think but have learned not to say, whereas, I haven't learned not to say them.
I hate when somebody says, "This may not work." You'll never get anywhere with that. I've pushed a lot of people out of my way - I don't mean physically - over them being afraid something isn't going to work.
I do feel a responsibility to address things that are problematic, but I don't have to go out of my way to do that.
To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.
For me, books are music for my mind and my imagination. When I am stuck in something I'm writing, I simply read my way out of being stuck. You can never waste time reading.
To my way of thinking, the slavery issue is just an excuse to allow some people to do hateful things and feel righteous about it.
I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
I was fantastically well versed by the time I left school. I had a teacher who put A Clockwork Orange my way, and Catcher in the Rye.
I'm in a band, and we play music. And that's sort of my way of still being a rock star.
I'm going out... because I deserve to go out! And I'm going to get drunk... because I deserve to get drunk! And get out of my way!
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