Doug Liman Quotes

Quotes about:

• I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.

  Doug Liman

  Smart, Character, Dark

  "Doug Liman: How to Make an Original Hollywood Blockbuster". Interview with Garin Pirnia, www.esquire.com. June 6, 2014.

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• That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.

  Doug Liman

  Paris, Sneaking Around, Style

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• I make movies for me and posterity. I'm more scared of history than I am of the studio.

  Doug Liman

  Scared, Studios, Posterity

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• I'm a character-driven director, and I tend to fall in love with the characters in my movies and TV shows.

  Doug Liman

  Falling In Love, Character, Tv Shows

  Source: collider.com

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• It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.

  Doug Liman

  Secret, Littles, Infuriating

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• In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.

  Doug Liman

  Real, Heart, Character

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• From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.

  Doug Liman

  Independent, Views, Feet

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• If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.

  Doug Liman

  Doe, Way, Causes

  "Director Doug Liman Talks MTV’s I JUST WANT MY PANTS BACK, ALL YOU NEED IS KILL and EVEREST". Interview with Christina Radish, collider.com. February 1, 2012.

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• When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.

  Doug Liman

  Thinking, Play, Manhattan

  "Biography/ Personal Quotes". www.imdb.com.

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• I had just come off doing a lot of commercials when I did Go, so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane.

  Doug Liman

  Discipline, Insane, Pace

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• When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.

  Doug Liman

  Phones, Identity, Shooting

  Interview with Sam Adams, www.avclub.com. November 3, 2010.

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• Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.

  Doug Liman

  Editing, Trying, Looks

  Source: collider.com

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• I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.

  Doug Liman

  Track, Diaries, Way

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• At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.

  Doug Liman

  Guy, Motorcycle, The End Of The Day

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• It turns out that it's easier to do politics in a movie. People really don't want it in their TV.

  Doug Liman

  People, Want, Tvs

  Interview with Sam Adams, www.avclub.com. November 3, 2010.

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• It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.

  Doug Liman

  Hurt, Fighting, Two

  Source: collider.com

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• I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.

  Doug Liman

  Men, Thinking, Moon

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• I'm very interested in politics, and I feel TV is a more political medium than film.

  Doug Liman

  Political, Tvs, Film

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• I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

  Doug Liman

  People, Dumb, Action

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• When you can come across a piece of material that's totally original and fun and completely satisfying, you jump on it.

  Doug Liman

  Fun, Pieces, Materials

  "Director Doug Liman Talks ALL YOU NEED IS KILL with Tom Cruise and EVEREST; Says He Hopes KILL Is His Next Film". Interview with Christina Radish, collider.com. January 22, 2012.

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• I go into a movie sort of saying what it's not going to be.

  Doug Liman

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• Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.

  Doug Liman

  Careers, Choices, Casting

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• The movie I end up with is the movie I aspired to make.

  Doug Liman

  Ends

  "Biography/ Personal Quotes". www.imdb.com.

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• I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span.

  Doug Liman

  Independent, Attention, Directors

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• I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise.

  Doug Liman

  Careers, Impact, Identity

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