I can't work completely out of my imagination-I must put my foot in a bit of truth-and then I can fly free.
I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.
I was always fascinated by the absurdities and luxuries and the snobbism of the world that fashion magazines showed. Of course, it’s not for everyone...But I lived in that world, not only during my years in the magazines business but for years before, because I was always of that world-- at least in my imagination.
My imagination is a kind of animal. So what I do is keep it alive.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
Certainly I've lived my whole life through my imagination. But the world of imagination is there for all of us--a sense of play, of pretending, of wonder. It's there with us as we live.
Faced with an exciting question, science tended to provide the dullest possible answer. Ions might charge the air but they fell flat when it came to charging the imagination - my imagination, anyway.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.
I don't suppose that hard work, discipline, and a perfectionist attitude toward my work did me any harm. They are a big part of my makeup today, as any of my co-workers will tell you. And when life seemed unbearable, I learned to live in my imagination, and to step inside other people's skins- indispensable abilities for an actress.
My imagination has always been inspired by nature’s vision
All i have in my life is my imagination
Thought for Today: I dream big! I let go of any limitations on my imagination, and I give voice to my inner wisdom and creative impulses. I shed past fears and doubts, replacing them with courage and love. I nurture my future with the same care that I would give to a newborn baby.
All my desires are born of my dreams. And I have proven my love with words. To what fantastic creatures have I entrusted myself, in what dolorous and ravishing world has my imagination enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The language of my love does not belong to human language, my human body does not touch the flesh of my love. My amorous imagination has always been constant and high enough so that nothing could attempt to convince me of error.
I have the world's best job. I get paid to hang out in my imagination all day.
Religion and anger has gone together a lot, historically. My father, being very religious and angry, was trying to reconcile the ideas of love and forgiveness with damage in his own heart. We historically create God in the image of someone who will redeem us, or someone who has damaged us. A lot of my imaginations of God was a projection of my own damage because of my father. God is good but he has a lot of expectations, of which I have failed -- just like my dad. But I don't think it's truthful to create God as a projection of either our damage or our altruism.
I write fantasy because it's there. I have no other excuse for sitting down for several hours a day indulging my imagination. Daydreaming. Thinking up imaginary people, impossible places.
I don't necessarily start with the beginning of the book. I just start with the part of the story that's most vivid in my imagination and work forward and backward from there.
There is nothing in England that exercises a more delightful spell over my imagination than the lingerings of the holiday customs and rural games of former times. They recall the pictures my fancy used to draw in the May morning of life, when as yet I only knew the world through books, and believed it to be all that poets had painted it; and they bring with them the flavour of those honest days of yore, in which, perhaps with equal fallacy, I am apt to think the world was more home-bred, social, and joyous than at present.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
I always wanted to ride a dragon myself, so I decided to do this for a year in my imagination.
I love the paranormal, because there, every genre I write can become one beacon for my imagination.
I've basically made a career out of my imagination. I feel very lucky.
I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.
The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.
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