I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite.
For years, people always say, "Ah, what about the dunk. It's still two points." But it energizes a team. If you're down and you get a monster dunk, everybody gets psyched. "Oh yeah, let's go, let's go." So it was dying down a little bit and guys, I think, they took it upon themselves. They got energy on it and started trying different stuff.
Stevie Wonder used to come the ball games and they would have a guy sitting with him. And the guy would be holding on to his arm, telling him what's going on, and he would say, "Hey, the big chocolate guy just put down a thunder dunk. The chocolate guy with another monster dunk." And Stevie Wonder actually gave me the nickname Chocolate Thunder.
There's a difference between doing memoir and writing a novel. If I had put the story of the boy killing my dog - and that was Eric also, what a little monster he was! - in a novel, even if I took it directly from life, it would be fiction.
Just because you saw a vampire doesn't mean that a snowman or a Loch Ness Monster also exists.
What is kind of beautiful about Katrina is that even though the media and officials are working hard at telling us everyone in New Orleans was a monster, in the immediate aftermath more than 200,000 people invite displaced strangers into their homes through hurricanehousing.org and an uncounted horde go to New Orleans and the Gulf Coast to give, to love, to be in solidarity, and to rebuild.
That name, SUN BEAR, just sounds like an ideogram to me. Super resonant. By the way, this all might be related to Tomaž Šalamun's famous line, "Every true poet is a monster." Or why Richard Hugo writes that the imagination is a cynic. T
If you look at what Ben Affleck has gone on to do, as an actor and as a director, it's extraordinary. But if you look back at his career, I don't think it's surprising. From Good Will Hunting on down, the guy is a monster talent, and I think talent wins out, in the end. There's always the ebb and flow of any career, but I think talent wins out, in the end.
I would hit a scene about my mother screaming at me during her breakdown, drunk or using pills, and she'd turn into a monster. Which she wasn't. She was a human: somebody who loved me and somebody with a problem.
By “empathy,” some people mean everything that is good - compassion, kindness, warmth, love, being a mensch, changing the world - and I'm for all of those things. I'm not a monster.
I'm probably a monster-of-the-week guy, and that comes back down to my old favorite show, which as a kid was always Scooby-Doo.
I've always been into monsters.
Katrina was one of those things that rips the clothes off of the guy who keeps saying he's a saint, and underneath you see that he's a monster.
Looking back, it's funny how the lighter family-friendly version of these classic Universal movie monsters that were satirized in The Munsters seduced me like a gateway drug into the genre.
All our parents have levels of deviousness. We're driven to write about this discrepancy between the bright shining selves they invented and the monsters lurking underneath.
My first impression was that this guy [Ndamukong Suh] is very confident. For him to be so young, I was kind of caught off guard by how confident he was. But then my first time seeing him on the field, pretty much solidified why he was so confident. He's obviously a monster.
Lady Gaga is still a human being, she was still among us! But now, she's a little monster, she says. She does her face a certain way. It's pretty startling. But she's a great girl. She's cool from what I remember.
I can't risk getting hurt. I have to be smart about what I'm doing. But the competitor in you wants to try it, wants to see how you would do. But at the same time, after a few rounds I'm so tired, and my arms are so tired after punching. It's a whole different monster.
While I was doing shitty little bar shows in the Central Valley in 2004, I was being out and helping people realize that gay people aren't monsters, that they are just people. So I look at this world with a great deal of pride, and I'm excited for it.
I certainly had this fascination with monsters and vampires as did Tim and whatever this darkness, this mystery, this intrigue. And then, as you get older, you recognize the erotic nature of the vampire and the idea of the undead.
I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.
I think how badly things can go wrong in our judicial system. All it took was one person saying that this was a deliberately set fire, and then a whole chain of information became malevolent.Criminal past - that worked all in their favor to create this "monster" - and they even used the word "monster." It's like, let's ensure that the public thinks he's an evil individual.
I was just really appalled, and I really kept quiet until I saw the governor [Rick Perry] get on and repeat the same words that the prosecution had used in the penalty phase: that he [Todd Willingham] was a monster. And that got me to get on to the computer and connect with some of the media and say: "I have his letters. He wasn't a monster. He was a caring individual." Let them see another side.
When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.
In Frankenstein there is a transfer first of life into death (in the creation and animation of the monster), and then of death into life, as the monster takes his revenge on the father who gave him life but withheld recognition.
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