That's why I like old monster movie actors, because they transform into different characters or creatures.
I find that the monsters are usually the people that I have the most empathy for because they're the ones that are hurt the most. There's a reason why they're the monsters.
I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.
I was once arrested with [Allen] Ginsburg. He was a big help to me. He was one of the few people who read unknown writer's work. Maybe he was just hustling me. He liked to flirt, Allen. They called him a monster but he was only falling in love.
[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!
I'm not sure Roosevelt was quite a monster, he just did a poor job on the economics.
Of course I've enjoyed having the Nobel Prize, the prestige that goes along with it, the money that came with it in particular. I was the typical, still am to some extent, impecunious writer, just struggling to make ends meet, so that, nobody's going to deny that at all. In fact, if they want to give it to me a second time, I'm standing by, ready to receive it, but it's a problem, it's a real problem and then expectations and then you have monsters like Sani Abacha who come up from time to time and who would have died a happy man if he'd succeeded in hanging a Nobel Laureate for literature.
Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.
My worlds are completely different. Painting is a peaceful world, and it's a different vibe than having a great match. You are able to look back at what you created when you finish. Recording music is an entirely different monster. When you finally write something, you do a demo and then you go into the studio. Doing the master version, that's the best feeling ever - especially when you're so proud of what you've written, and you can't wait for people to hear it. That's actually very similar to trying to tell a story in a wrestling match.
I wasn't part of John Kennedy's vision of the world, or Lyndon Johnson's. I thought of them as anti-Communist imperial monsters.
The scariest monster in the world is human beings and what we are capable of, especially when we get together.
If people are portrayed as monsters, we become disconnected from them, and to me that is not remotely interesting.
Now when Nile perch was introduced [into Lake Victoria], I don't think enough research was done; maybe it was done, maybe it was not. But Nile perch is a huge fish. So it ate all the little fish, and it grew into a monster which the local people could not fish with their little boats and their little nets.
Once you tie anger and ego together then you're a monster, at least a latent one. So you have to be able to separate those things before you are going to be able to do anything useful with your anger.
We're a small part of this ecosystem. When we go to a school and talk about investment banking, they are these monster financial conglomerates, and so we end up in the same pot. That is still an issue for us.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
I think that human beings are the most awful monster we have ever seen.
My favorites movies are always character driven, it's the human equation that makes horror interesting to me, not the monsters. It's how people handle extreme circumstances.
Orwell says straight, look, in England what comes out in a free country is not very different from this totalitarian monster that I'm describing in the book. It's more or less the same. How come in a free country? He has two sentences, which are pretty accurate. One, he says, the press is owned by wealthy men who have every reason not to want certain ideas to be expressed. And second - and I think this is much more important - a good education instills in you the intuitive understanding that there are certain things it just wouldn't do to say.
A lot of the conventions aren't full of "Cheers" fans. They are more themed for fans of monsters and zombies.
Continuous wars - which we have now had since 2001 - starting with Afghanistan, continuing on to Iraq. And even since Iraq, it's been more or less continuous. The appalling war in Libya, which has wrecked that country and wrecked that part of the world, and which isn't over by any means. The indirect Western intervention in Syria, which has created new monsters. These are policies, which if carried out by any individual government, would be considered extremist. Now, they're being carried out collectively by the United States, backed by some of the countries of the European Union.
How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
The EU is deeply harmful, it is an anti-democratic monster. I want to prevent it from becoming fatter, from continuing to breathe, from grabbing everything with its paws and from extending its tentacles into all areas of our legislation. In our glorious history, millions have died to ensure that our country remains free. Today, we are simply allowing our right to self-determination to be stolen from us.
Sometimes my life has been Odyssean - landing on strange islands of consciousness and reality and meeting very curious monsters who turn out to be very great teachers. Sometimes my life has been a quest for a grail of knowledge and education. Like Parsifal, my life has been a quest to pierce the veil, stumbling along but eventually finding it.
That's why I'm happy and why I love this s**t because there's not a moment in the day that I don't feel like I can go in and create a monster record because I love making people feel good. That's my job.
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