Personally, I love the cookie monster grunts. I like how they alienate listeners. We sound the way we sound. We're individuals. We don't all like the same music. Everybody contributes their own influences, style, and history.
People call Kong "a monster." He's not. There's nothing evil about Kong. He's just another creature who has opened up a little bit of his heart to Ann and it proves to be his undoing.
A few more albums, a few more years, I'll be like Peter Petrelli in Heroes. I'll be some type of rap super-monster or something.
I think since I did Monster I really started understanding how hard it is for first time directors. I think there's a lot of great stories out there, but it's high risk.
Brock [Lesnar] is one hell of a wrestler, and he's a big monster.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
Carbon neutrality is going to be so standardized that you will look at anything that is not carbon neutral and go, "where the hell did that monster come from?" It's exciting.
The how-to is all about day in, day out finding a way to feed the monster, the drive that lives inside.
Technology is a many-headed monster and perhaps it would be better to regress to a safer past and avoid technological change; it is tempting to think like that.
Let's look different! I like monster movies, so why can't I have Godzilla's face on my boots?
History's greatest monster.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
Thinking that your story is so interesting that other people will want to listen to it or read it or pay to hear it, that's - what kind of person thinks that? A monster of self-regard. It's not normal thinking.
The piano is a bit of a monster because it is this center of Western music and so much has been done with it and it is a fixed pitch instrument. It is a bit like trying to paint because there is the weight of all that has been done before.
I've always loved Mary Shelley's Frankenstein. There's this wonderful chapter in which we get a first-person account of the monster's first impressions of the world, being in the woods and taking things in. We're seeing the world as if for the first time. That's just fascinating.
I went to volcanoes where I knew that there was a lot of mythology around them; there was something like the creation of gods and monsters and demons.
I can understand the idea that there is a conspiracy. In fact, in much of the world there is a sense of an ultra-powerful CIA manipulating everything that happens, such as running the Arab Spring, running the Pakistani Taliban, etc. That is just nonsense. They [CIA] created a monster and now they are appalled by it.
Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.
Each step is not too improbable for us to countenance, but when you add them up cumulatively over millions of years, you get these monsters of improbability, like the human brain and the rain forest. It should warn us against ever again assuming that because something is complicated, God must have done it.
Even the best of us have certain psychological mechanisms that can suddenly kick in and turn us into monsters.
Even the best of us have certain psychological mechanisms that can suddenly kick in and turn us into monsters. That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things. It's distressingly easy for those mechanisms to be triggered, either consciously by demagogues, or naively by people who think they're trying to do the right thing. Which is why I think it's more akin to tic-tac-toe.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
Alas, you don't need monsters for monstrous deeds to be accomplished.
All the monsters in your mind just want to be nice. They want to be kind. They want to play nice. They want to be softer than the storms around. You feel them through the windows and the doors.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
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