Even I, when I was a student in London, often wore Western clothes, and yet I'm the most Indian Indian I know.
Doing a movie in Tel Aviv or London or South Africa or Mexico. It's this great second act to my career, and it's a real good time.
I was born in England and brought up in London. When I was 18 I read a book and came across the Dharma. I was halfway through the book when I turned to my mother and said, "I'm a Buddhist," to which she replied, "Oh are you dear? Well finish the book and then you can tell me about it." I realised I'd always been Buddhist but I just hadn't known it existed, because in those days not even the word 'Buddha' was ever spoken. This was in in the 1960s, so there wasn't that much available, even in London.
I never really wondered about getting from London to Lahaul. It all seemed such a natural progression. In London I felt I was in the wrong place and wanted to leave. I'd thought about going to Australia or New Zealand. It's nothing against England, but I knew I wasn't meant to be there.
In the early '60s there was very little reliable information on Tibetan Buddhism. I was living in London and I had joined the Buddhist Society. For the most part, people there were either interested in Theravada or Zen Buddhism. There was almost no one into Tibetan Buddhism at that time.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
I love London. I loved it when I went there in the late '50s.
I've always just had a great feeling for London and British people.
If they were going to go to London or to the UK to find out how health care is, national health care doesn't work, all they have to do is go to the Soviet Union to find out how communism and socialism didn't work, but it hasn't dissuaded them from trying it here because they think the only thing that hasn't happened is the right people haven't tried it with the proper funding.
I did get to shadow some amazing brain surgeons, a female brain surgeon in Toronto, another surgeon in London. And then we had a surgeon onset [of Doctor Strange] every day. So and he taught me to do sutures and was practicing on turkey breasts, raw turkey breasts.
I've lived in the same place in London for the last seven years, I go and get my shopping, I get on buses, and [all the rest] is pretty much outside of who I am.
I have to say, opening up in New York taught me a lot about that level of attention to detail. London's a tough market, Paris is a tough market, but New York, well, that's extraordinary.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
We launched it in the London branch - phenomenal sausages, incredible eggs, homemade baked beans, black pudding - and it's something I wanted to bring to Dubai.
I think when we opened in 2001, it was holy ground. There was nothing here. Back then, being on the Dubai Creek was an amazing position, and I would come one or two times a year, max. Now it's so different. The travel dilemma has disappeared and it is so easy to get to Dubai. What is it, seven hours from London? It's pretty easy.
There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.
It felt [at the Allied set] like, "At last, I'm in Hollywood," even though I was in West London. It was like, "This is how a film should be made." It was beautiful.
Lamplighters are the guys who manually turned on all the street lamps in London and turned them off. That was the gig in the 1930s in London.
My maternal grandmother was in London during the Blitz. Indeed, the man she was dating before she met my grandfather was killed beside her in a cinema, in 1941, when a bomb came through the roof - a tragedy in which she herself was badly wounded.
[My maternal grandmother ] was a teacher in London and elsewhere during the war, although the children she taught were not the "lost children" who feature in the novel - those come from my research.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
I used to live in a little city by the sea, and the feeling of isolation - it was not like living in Paris or London. It was a bit apart from the main city, and [it gave me] this feeling of isolation and also being close to nature, with nature as a surrounding and also a frontier, from the society of the world.
Living in London, the water is really harsh, and my hair got so bad as soon as I moved there. But you can't really avoid that.
it's a weird thing with acting and it happens to a lot of actors, not just myself - it's like you're giving off an I really need to be loved today vibe. My worst moment recently is I fell asleep on the tube in London on the Victoria line 8:30 in the morning and I woke up and there were about five people with iPhones taking pictures.
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