I look at the calendar. If it's a nice place, I go, like I did in London when it came to choosing to do a film. I always choose the best locations. New Orleans. That's fun. I'm available. Let's go.
The best city for fashion is Tokyo. You see styles there you won't see in London, Paris, Milan or New York. I also like the fashion scene in Los Angeles - it has a unique look.
When I am in London, I think my favourite city is London, but when I am in New York, I feel it is New York. It is very hard to choose between the two.
My mother found a way out of a little one-bedroom apartment in Athens, Greece to bring Arianna to Cambridge to study economics and bring me to the Royal Academy in London with very few financial resources and no connections. She didn't know anybody in England, but she found a way. Her love for her daughters and seeing what they could be, motivated her and gave her the chutzpah, the courage, to break down barriers. When you have the motivation of love, you will find the way.
My experience growing up in London and growing up in a working class background, is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, cause they don't feel the joy inside. Or they use humor to keep people out.
What Brighton's got is a major sea port on either side, good for importing drugs, great for exporting cash, stolen cars, stolen antiques. It's got the largest number of antique shops in the UK, so it's a great place to fence stolen goods. It's got tremendous communication: you've got the sea ports, you've got the channel tunnel, you've got Gatwick Airport 25 minutes away, and London's 50 minutes away by train. So all these escape routes... Which is what villains like.
If you and I took a walk down a shopping street in Jo'burg or Cape Town or London, we see two guys looking in a shop window, we think, "Oh, they're wondering what they're going to buy." A cop looks at them and thinks, "Why are they standing there? Are they doing a drug deal? Are they going to mug someone? Are they going to rob the shop?"
I'd met Simon [Segars] for the first time in London. He struck me as a quiet, natural-born engineer and an orthodox successor [to East]. He has a home in Silicon Valley, and he said it's just a few minutes' drive away from mine.
In London I'm not seen in public. I don't go to award ceremonies or gatherings. I just don't go because I like my privacy. I like being with my family and I like being in their company. I work very hard and I don't have much time so I just want to be with my family or in the English countryside. I don't take holidays.
My memories are beautiful because my wife Joan is English and shortly after we were married, we stayed in London and I never forgot it. We loved it so much that we've been back very often and it's always a thrill. To me, there's New York City where I was born and raised and then there's London!
There are only two people running [Donald trump and Hillary Clinton] - you have to pick one of two people, and it's not like I said Mickey Mouse was going to win. This is why, like you said about Brexit, inside of London I don't think they saw what was going on.
We've got characters in the UK like Boris Johnson, who's kind of like a proto Trump in many ways even down to the crazy blonde hair. Then Mayor of London, now Foreign Secretary, Boris Johnson was widely seen as a cartoonish oaf and that made him strangely undentable as a politician. No one could land a blow on him because he was already ridiculous.
When I'd read the script [The Man], [ Eugene Levy] that's who I'd seen in my mind. When I ran into him, I said to him, 'I read the script. You'd be great.' He had no idea what I was talking about. Then, we saw each other again in London. He'd read it and was enthused about it.
It's not by coincidence that a lot of protesters against the new presidency in America and in front of the Trump Tower, even in London... the protesters were 90 percent women. The image of the woman and the problem of the woman still exists. Not exactly in the same terms as 200 hundred years ago, but we still have the problem here.
When I was in London a Kachin youth criticized me for not condemning the Burmese military for their offensive in Kachin State. I answered "condemnation is not the solution." We want to build reconciliation, not condemnation.
You ask why London has to 'stand for' anything. One response is that in fact it always inevitably does. One could say at the moment it stands for a complex mix of multiculturalism and financial power. Interestingly, that is a political mix of progressive and oppressive. What I'm arguing is simply that we should take responsibility for the effects of 'our place' around the world. To take responsibility for our embeddedness. If you don't want to, so be it. It does demand an imaginative engagement with our planetary interdependence and that can be quite challenging.
Though people could, in principle, cross national borders to reach places where their work is more highly rewarded, they are in fact prevented from doing so. As a result, huge differences also persist in the price of labor, as you can see when you get a haircut in rural India or hire a driver or babysitter in Bolivia. You can easily buy such services at one-fiftieth the price you would pay in London, Hamburg or Manhattan.
I see no real argument in Britain that is concerned that an Indian company owns our most successful car manufacturer or that the sewer system under London is being renewed in part by Chinese investment. There are the odd voices that express concern but they are very marginal and they are not being listened to by the British people.
Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
In fact, when Bernard [Leach] would be called away to go up to London for something and we'd be living alone for a couple of days, we would dig into the storage areas in the house and we'd get out all the pots that we might not see in the course of our daily life, because we weren't using them in the house on a steady basis. But we found some fantastic pots in there tucked away, and we could look at them and examine them and handle them.
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie, Hans Coper, Richard Batram. All these people were, let's say, made available to us by a friendship with Leach. In addition there was a potter's group - what was it called? I think it was called the Cornish Potters Society, but I'm not sure of that. Anyway, they had meetings and we would go with Leach to these meetings and meet other potters, and they would have programs where they would discuss pottery and people would interchange ideas.
I am ambivalent about London because I am so ambivalent about England in general.
London. Another terrorist attack and ISIS claimed credit. I am surprised because I thought we had wiped out ISIS on day one as Donald Trump said.
There is one school of thought that says Mayors should cut ribbons, be funny and be a buffoon. The other school of thought is that we can do more. Scotland is getting more powers. Wales is getting more powers. Greater Manchester. London needs more powers.
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