I think people are smart enough to sort it out. They know when they're watching one of these food fight shows where journalists sit around and yell and scream at each other, versus serious issue reporting.
Suppose Watergate had not been uncovered? I'd still be on the City Desk.
Some newspapers have a hands-off policy on favored politicians. But it's generally very small newspapers or local TV stations.
Writing is about culture and should be about everything. That's what makes it what it is.
I feel like I've exhausted guys and male friendships.
Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.
I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.
I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.
One of the biggest problems in literature is the lack of subtlety.
My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
When literature exists, perhaps we do not notice how important it is, but when it does not exist, our lives become coarsened and brutal. For this reason, I am proud of my profession, but also aware of its importance.
We sat around on a hotel balcony with a bottle of wine and tried to figure out how you would go about blowing up a planet. That's the kind of conversations science fiction writers have when they get together. We don't talk about football or anything like that.
It takes a great man to give sound advice tactfully, but a greater to accept it graciously.
Some of the most important stories don't lend themselves to television treatment.
Unless you're doing a feature piece, which is going to be longer, and you have more time to get into stuff.
Well, a lead is the most important thing about the story.
Whomever you're going to interview, you have to be interested in what it is you want to know from them. You have to be interested in the subject.
I'm not terribly conversant with children's literature in general. I tend to read books for adults, being an adult.
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.
I consider what I write to be literature. I choose the words carefully.
There is little more powerful than when truth joins action.
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