It is not sex by itself that interests me, but its particular role in American consciousness, and in my own life.
There must be no worse punishment to a totalitarian nation than the withdrawal of capital.
You don't need to invade a place or install a new government to help bring about a positive change.
I think it's restrictive to typecast myself as a novelist because I enjoy other forms of expression. I love literature and I love cinema.
Literature gives us a window into other people's experiences in other places, in other times, so I thought it would be really interesting to investigate how different people had written about motherhood, and childhood.
All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.
And in a way, that's been a help to me, because I take great passions for a particular poet - sometimes it lasts for many years, sometimes only for a while. This happens to everybody.
And it's impossible for me to read Henry James.
And some poets are far better read off the page because they're very bad speakers. I'm thinking of one in particular whom I won't name, a good poet, and he reads in such a dry, boring way, your eyes start drooping.
And the second question, can poetry be taught? I didn't think so.
But you'd have a job to find many of my poems which would seem to be very influenced by a particular person.
I never think about poetry except when I'm writing it. I mean my poetry.
I only keep books that I like very much. Otherwise I'd throw them out.
I said I have no powers of invention. Well, I also have no powers of mimicry.
I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.
I was very interested in American poetry for many years. Much less now.
People haven't got the interest in long long works these days. A lack of interest which I share.
When I talk of hearing a poet's voice speaking, I always think of it as in the presence of the man.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
I was always drawn to teachers who made class interesting. In high school, I enjoyed my American and English literature classes because my teachers, Jeanne Dorsey and Dani Barton, created an environment where interaction was important.
I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.
I would have to say the novel 'War and Peace' influenced me more than any other book. This greatest of novels demonstrated to me the enormous power of literature and fired me up with a desire to become a writer, to participate in what I considered then to be the greatest of all endeavors.
There had been observed in this country certain streams of influence which are causing a marked deterioration in our literature, amusements, and social conduct...a nasty Orientalism which had insidiously affected every channel of expression...The fact that these influences are all traceable to one racial source [Judaism] is something to be reckoned with...Our opposition is only in ideas, false ideas, which are sapping the moral stamina of the people.
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