When I go fishing I like to know that there's nobody within five miles of me.
However, I learned something. I thought that if the young person, the student, has poetry in him or her, to offer them help is like offering a propeller to a bird.
And the second question, can poetry be taught? I didn't think so.
I'm very gregarious, but I love being in the hills on my own.
There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.
I learned words, I learned words; but half of them died from lack of exercise. And the ones I use often look at me with a look that whispers, Liar.
It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.
People haven't got the interest in long long works these days. A lack of interest which I share.
If I wrote a play with four characters every single one of them would talk like me regardless of age or sex.
All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.
Landscape is my religion. ...God in a green legend, I lean over the pool In a testament of leaves. I dangle my twinkling mood Before me in a cool cave roofed with branches And floored with a skin of water.
When I was asked to be Writer in Residence at Edinburgh I thought, you can't teach poetry. This is ridiculous.
Well, I love fishing. I wouldn't kill a fly myself but I've no hesitation in killing a fish. A lot of men are like that. No bother. Out you come. Thump. And that's not the only reason.
When I was a teacher, teachers would come into my classroom and admire my desk on which lay nothing whatever, whereas theirs were heaped with papers and books.
In some ways I'm a reticent man, and for quite a number of years there wasn't very much of my real true deep feelings in my writing.
Anybody who writes doesn't like to be misunderstood.
I only keep books that I like very much. Otherwise I'd throw them out.
I don't think of myself all the time.
When I talk of hearing a poet's voice speaking, I always think of it as in the presence of the man.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
And it's impossible for me to read Henry James.
I don't care whether a book is a first edition or not. I'm not a bibliophile in that word's natural sense.
But you'd have a job to find many of my poems which would seem to be very influenced by a particular person.
I just didn't want to shoot other people.
Well, I'm a light traveller. I chuck things away.
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